Written by Judy Lee. This article examines how emotions drive community formation among Hongkongers who migrated to Taiwan after 2019. Lee argues that these migrants channel feelings of grief and love for their home city into positive community engagement, cultural production, and education, illustrating how emotion fuels the diaspora.
Written by Matthew Lorence. This article compares Taiwan’s Sunflower Movement and Hong Kong’s Umbrella Movement in 2014. This comparison illustrates how the structural differences between a sovereign democracy and a semi-autonomous territory operating under Beijing’s ultimate authority shaped the fate of each protest. The divergent fates of the two territories reflected precisely what the young people feared and fought so passionately to prevent.
Written by Lourdes Ames-Rodriguez. “One China” and “status quo” are two contested concepts at the centre of the cross-Strait tension. This article argues that while differing interpretations of the concepts have been instrumental in maintaining short-term peace in the Taiwan Strait, they ultimately hinder prospects for a lasting, peaceful resolution by entrenching opposing positions and delaying necessary political decisions.
Written by Josh Boynton. This article argues that Taiwan’s democratisation did more than just change how Taiwan was governed, but also allowed Taiwanese to publicly express who they thought they were. It created a new social and political experience that solidified into a unique Taiwanese identity and became a moderating force, especially for the younger generation who have no memory of authoritarian rule.
Written by Sheng-mei Ma. This is Part II of the article. Through a close reading of the Chinese TV series Reset, the article argues that its recurring time loops, terrorism, and symbolic imagery allegorise authoritarian violence, historical repetition, and state repression in the People’s Republic of China, which ultimately frames Taiwan as the regime’s imagined final object of political and territorial consumption.
Written by Sheng-mei Ma. This is Part I of the article. Through a close reading of the Chinese TV series Reset, the article argues that its recurring time loops, terrorism, and symbolic imagery allegorise authoritarian violence, historical repetition, and state repression in the People’s Republic of China, which ultimately frames Taiwan as the regime’s imagined final object of political and territorial consumption.
