Written by Chee-Hann Wu. This article reflects a personal memory and classroom discussion; she explores the ethical responsibilities of artists when representing traumatic historical events. Emphasising consent, historical accuracy, and self-awareness, the piece argues that storytellers and audiences alike must engage critically with how collective trauma is portrayed and remembered in art and media.
Why Taiwan is still the creative heart of Mandopop
Written by Jocelle Koh While those not in the know might still see Mandopop as a less well-produced version of K-pop, a light scratch beneath
