Written by Chee-Hann Wu. This article reflects a personal memory and classroom discussion; she explores the ethical responsibilities of artists when representing traumatic historical events. Emphasising consent, historical accuracy, and self-awareness, the piece argues that storytellers and audiences alike must engage critically with how collective trauma is portrayed and remembered in art and media.
Group Photos (Hezhao) and the Depoliticisation of Indigeneity in Taiwan
Written by Aaron Su. This article discusses the crucial role of photography in consolidating a liberal multicultural order in Taiwan by obscuring dissent through visual depictions of harmonious Indigenous life. Drawing on fieldwork at Taiwan’s Cultural Health Stations, the author shows how photography portrays Indigenous satisfaction with current health policies, leaving little room for the everyday pressures, demands, and disputes.
