Written by Chee-Hann Wu. This article reflects a personal memory and classroom discussion; she explores the ethical responsibilities of artists when representing traumatic historical events. Emphasising consent, historical accuracy, and self-awareness, the piece argues that storytellers and audiences alike must engage critically with how collective trauma is portrayed and remembered in art and media.
Genre, Industry, and Politics of Taiwanese Language Cinema
Written by Hongwei Bao. On 21 October, I had the pleasure of watching the film Brother Wang and Liu Tour Taiwan (王哥柳哥遊台灣dir. Li Xing, Fang
