Written by Chee-Hann Wu. This article reflects a personal memory and classroom discussion; she explores the ethical responsibilities of artists when representing traumatic historical events. Emphasising consent, historical accuracy, and self-awareness, the piece argues that storytellers and audiences alike must engage critically with how collective trauma is portrayed and remembered in art and media.
Representing the Unrepresentable: Cinema, Politics, and The Century Bloodshed Controversy
Written by Meng-Hao Li. The author describes the controversy surrounding the Taiwanese film The Century Bloodshed, inspired by the unresolved 1980 Lin family massacre. Responding to Wim Wenders’ claim that cinema should remain separate from politics, he argues that film inevitably engages with power and memory. Through debates over the film’s genre, his remarks, and the director’s background, the essay explores the ethical limits of representing historical trauma and Taiwan’s ongoing struggle to confront the legacy of the White Terror.
