Written by Professor Tien-Tai Wu In order to have a complete indigenous education, we need input from both tribes and schools. Although we have practices
Written by Gerrit van der Wees. As the results of the US mid-term elections are just being analyzed, Taiwan is preparing for its own mid-term
Written by Chun-Yi Lee. In the early 1990s, Taiwanese electronic factories in China acted as a ‘teacher’ for most of the domestic Chinese manufacturers. This
Written by Mei-Chih Hu and Hsien-Chen Lo. In 2016, Taiwan’s government launched the New Southbound Policy aimed to establish long-term economic ties between Taiwan and
Written by Michael Reilly. On 21st October, a Puyuma express train of the Taiwan Railways Administration (TRA) came off the tracks near Suao in north
Written by Daw-Ming Lee By the end of the 1970s Taiwan audience was antipathetic to the unimaginative remakes or copies of “national policy films,” martial
Written by Terez Vincz The key figure of the second wave of Taiwanese New Cinema, Tsai Ming-liang’s The Walker (2012) consists of twenty-one shots recorded by a fixed camera. This article will
Written by Terez Vincze “I think that our present age is probably the worst time of all to be alive… Living in today’s world is terrible, I’m
Written by Ming-yeh T. Rawnsley Professor Chris Berry (King’s College London) and I have been co-organising a project, “Taiwan’s Lost Commercial Cinema: Recovered and Restored”, since
Written by Tiago de Luca With 10 feature-length films to his credit, Tsai is a central figure in what is now broadly referred to as
Written by Cecília Mello The films of Tsai Ming-liang have been helping to shape our world cinema landscape since the early 1990s. On one hand, they belong to what
Written by Ming-yeh T. Rawnsley Taiwan New Cinema (TNC) is a cinematic movement that emerged in the 1980s just as democracy was introduced to the island. Its impact cannot be overstated: TNC not only expanded cultural
