Written by Chee-Hann Wu. This article reflects a personal memory and classroom discussion; she explores the ethical responsibilities of artists when representing traumatic historical events. Emphasising consent, historical accuracy, and self-awareness, the piece argues that storytellers and audiences alike must engage critically with how collective trauma is portrayed and remembered in art and media.
The Rise and Exclusion within Multicultural Discourses of Immigrant Integration in Taiwan
Written by Chien-Ping Liu. This article examines how transnational marriage migration has reshaped Taiwan’s demographic and civic landscape since the 1990s. It traces the shift from stigmatisation to multicultural recognition through grassroots advocacy and state developmental agendas. While bottom-up movements advanced inclusion, state-led multiculturalism often instrumentalised difference, reproducing class, gender, and geopolitical hierarchies within Taiwan’s immigrant integration discourse.
