Written by Hsin-Chin Evelyn Hsieh. The award for the best documentary feature at the 59th Golden Horse Awards held in November 2022 in Taipei, Taiwan, went to And Miles to Go Before I Sleep (2022), directed by Tsung-Lung Tsai. At the ceremony, film producer Kim Hong Nguyen, dressed in the Vietnamese traditional garment áo dài, read out a message from Quoc Phi Nguyen’s family expressing their grief and hopes. It was the first time a documentary on migrant workers was presented with the Golden Horse Award, thereby creating a platform for voiceless migrants and drawing attention to the related issues in mainstream society.
‘Queer’ Film and Representation at the Taiwanese Box Office: A Post-2019 Post-COVID Sinophone Dialogue
Written by Elliott Y.N. Cheung. “Queerness is that thing that lets us feel that this world is not enough, that indeed something is missing,” says José Esteban Muñoz. So, if these resisting narratives defy the regulation of an all-encompassing narrative and seek to entice viewers to recognise what is not yet there — might we call them queer? Moreover, if a country that not only enables such views but can actively and constructively engage with them, struggling to hold them in all their difference — might we also call it queer?
Transition and Transformation: The Naming Dilemma in Today’s Taiwan Cinema
Written by Yiling Pan. What is the Taiwanese identity in today’s Taiwan Cinema? In 2008, Taiwan’s Cinema began to get back on its feet after an extended lull, with several new directors successively releasing critically acclaimed first works, such as Chung Mong-hong’s Parking, Tom Lin Shu-yu’s Winds of September and Gilles Yang’s Orz Boyz!. However, it took Wei Te-sheng’s debut, Cape No. 7, to become a box-office hit and arouse widespread interest in Taiwanese film. .
Give Him a Kite to Go Home: An Interview with Tsai Tsung-Lung about His Pilot Documentary ‘Nine Shots’
Interviewed, translated and edited by Isabelle Cheng. On 30 October 2020, the Taiwan Studies Programme hosted a webinar after the online screening of a pilot documentary Nine Shots (槍響之前) directed by Tsai Tsung-lung. This essay is an interview with Tsai about this pilot documentary, which discusses what, if not who, was responsible for the tragic death of Nguyen Quoc Phi. The latter was an undocumented Vietnamese migrant worker who was shot dead by the police, firing nine shots in 12 seconds, on 31 August 2017 in Hsinchu, northern Taiwan.
Documenting Taiwanese Modernism: Le Moulin’s Untimely Historical Project
Written by Tim Shao-Hung Teng. In 2015 Taiwanese filmmaker Huang Ya-li (黃亞歷) released his documentary Le Moulin (Riyaori shi sanbuzhe/ 日曜式散步者) to critical acclaim. The film recounts the major life events of four core members of Taiwan’s prewar surrealist poetry society, Le Moulin (fengche shishe/風車詩社). Known for its experimental style that does away with interviews and voice-over narrations, the nearly-three-hour film cites, extracts, pastes, and freely associates materials such as literature, paintings, photography, sounds, film footage, diary entries, and newspaper clippings. These sources are not always readily recognisable and nor are they all directly related to the poets’ works.
10 years after Cape No. 7: The development of cinema in Taiwan
Written by Ting-Ying Lin. I can still vividly remember the scene back in the summer of 2008: I spent a typical summer afternoon at the
Reflections on a Golden Horse
Written by Chris Berry. In November of last year, I had the great honour of serving as a member of the final jury for the
Genre, Industry, and Politics of Taiwanese Language Cinema
Written by Hongwei Bao. On 21 October, I had the pleasure of watching the film Brother Wang and Liu Tour Taiwan (王哥柳哥遊台灣dir. Li Xing, Fang
The Strange Case of Taiwanese-Language Cinema
Written by Chris Berry. Taiwanese-language cinema has fascinated me since I first came across it in the late 1990s. So I am delighted to be