Culture and society – Page 4

The Fashioning of Filipino Community in Taiwan: OFW Beauty Pageants in the Era of Social Media

6 April 2021 Editor

Written by Yi-Yu Lai. As an anthropologist who studies Indigenous movements in the Philippine highlands, my experiences of beauty pageants’ are not rare. The beauty pageant has been culturally entrenched in the Philippines and its diasporic communities for many decades. Because these contests are very popular with Filipinos, some Indigenous youth advocates use them as an instrument for cultural activism, empowering participants and attracting those who were previously indifferent to political issues. Nevertheless, the Filipino beauty pageants of Taiwan are quite different from those I previously experienced.

Writing the history of Taiwan’s animals

12 November 2020 Editor

Written by Cheng Li-jung. In recent years, “Animal writing” is a developing issue in literary research. Many studies have given a focus on animals and social culture since the 1980s. They combined with cross-field animal research and attempted to rethink the history of animals in the context of ecological ethics and animal protection. Now it can be said that animal history is a new historical perspective and emerging field.

Unpacking ‘Indie Music As Cool Ambassadors’ – Reflections on Taiwan’s Cultural Export Policies 2010-Present

7 February 2020 Editor

Written by Jocelle Koh. During my time as a university student, what I would have given to have a copy of Routledge’s latest edition to their ‘Made in…’ series, ‘Made in Taiwan’. It would have been handy! As a student doing my thesis on the Taiwanese music industry in a university about as far removed from the topic as you can get, procuring the Taiwanese instalment of this academic series – completely in English and geared towards advanced understandings of Taiwanese popular music – would have saved me a lot of trouble.

Taiwanese Popular Music as World History

6 February 2020 Editor

Written by Eva Tsai. Sure, I had an agenda: First, I wanted to create at the time—with popular culture details—a sense of the social and cultural space. Second, I wanted to suggest that any entry point is a good entry point into Taiwanese popular music, so long as it is put into a historical and geopolitical context, along with developing a curiosity and mindfulness about what else was going on when it was made and circulated. Such was the spirit we carried into Made in Taiwan: Taiwanese popular music as world history.

Why are Taiwanese Politicians Collaborating with Youtubers?

23 January 2020 Editor

Written by Sam Robbins. Taiwanese politics has been digital as long as it has been democratic. Taiwan’s first direct presidential election in 1996 was hotly debated on popular BBS systems of the time. More recent elections have been fought on blogs, PTT, facebook and elsewhere. Taiwanese politicians have always been looking for new methods to connect with voters and make themselves visible in an ever-changing digital landscape.

Taiwanese Contemporary Music: The Case of Fire EX.

28 October 2019 Editor

Written by Hegerová Terézia. Fire EX. started their career in 2000 as an indie punk rock band from Kaohsiung. The four members are singer Sam, bassist Pipi, drummer Wu Ti and guitarist Oreo. The group at first performed only covers, but later started to produce their own songs. They say that their style was influenced by many other singers and bands, especially those from the US like Blink 182 and Green Day.

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