Written by Chen-Yu Lin. 30 years since inception the Awards are still presented by the Ministry of Culture, but have also become a stage where musicians are free to make political statements.
Written by Chen-Yu Lin. 30 years since inception the Awards are still presented by the Ministry of Culture, but have also become a stage where musicians are free to make political statements.
Written by Maggie Yang. Given the reality that music promotion cannot completely rely on the government’s cultural policy and subsidy, more professionals based in overseas countries are dedicating themselves to increasing Taiwan pop music’s global visibility and audibility. The three speakers I invited to the talk were from academia and industry. What they have done in the past years has exceeded the government’s capability and had a real impact for Taiwan’s artists and the music industry. Through their efforts, and those of other artists and promoters, Taiwan’s pop music is being heard on some of the biggest stages in the world.
Written by Eden Townend. This is a clear manifestation of this mutually beneficial relationship at work. CD REV align their content with the CCP’s values and preferred narratives pertaining to Taiwanese reunification, and the CCP in turn provide the rap group with the necessary tools to be successful.
Written by Queer in the World. There’s always something exciting about visiting a place that is constantly changing and progressing, and Taiwan definitely fits the bill. The LGBT scene in particular is very exciting and we totally believe in supporting a country that’s so far ahead of its neighbours in terms of gay rights.
Written by Queer in the World. According to a 2016 study, tolerance towards homosexuality in Taiwan increased 132% between 1995 and 2012 and Taiwan’s reputation as the most gay-friendly country in Asia is certainly more than justified by this and its thriving gay community.
Written by Fangmei Lin. What is emphasized by Luo as “becoming non-human” is, in fact, becoming non-Taiwanese. The entire loop of becoming eventually demonstrates the paradox of the Taiwanese: unending deferral and the situation of absence constitute the meaning of being and becoming (non)-Taiwanese.