The Public Nature of Civil Disobedience: Lessons from the Sunflower and Umbrella Movement

Written by Leon N. Kunz. In March 2014, participants in the Sunflower Movement peacefully occupied the main chamber of Taiwan’s parliament to block the ratification of a controversial trade agreement with the PRC that they viewed as a threat to Taiwanese democracy. In September of the same year, protesters involved in Hong Kong’s Umbrella Movement created street occupations to push for genuine democratic reform. In both cases, participants not merely occupied public space but claimed to engage in civil disobedience. According to the often-cited definition by liberal theorist John Rawls, civil disobedience is “a public, nonviolent, conscientious yet political act contrary to law usually done to bring about a change in the law or policies of the government.” To what extent did the occupations in Taiwan and Hong Kong conform to the dominant liberal civil disobedience script?

Taiwanese Literature in Transition: Indigenous Writing and Eco-literature as Method

Written by Ti-han Chang. At the crossroad of the 21st century, we see the rise of a new transition in Taiwanese literature. In the era of anthropogenic climate change, environmental literature or ecocriticism, which was first established in the Anglophone literature begins to sow its seeds in Taiwan in the late 80s and early 90s. Alongside this new transition, aboriginal literature in Taiwan also underwent a phase of cultural renaissance in the same period. Work published by Syaman Rapongan 夏曼藍波安, Walis Nokan瓦歷斯諾幹, and Topas Tamapima 拓拔斯塔瑪匹瑪 (田雅各) enrich and diversify the literary scene in Taiwan. The work of Rapongan, which promotes sea-writing and oceanic cultural imaginary, deserves, especially our attention.

Speaking on Behalf of the State: The Women on the Radio and behind the Loudspeakers during the Cold War

Written by Isabelle Cheng. Women have a complicated relationship with the wars waged by the nation-state. Women are the reproducers and boundary ma(r)kers of the nation, so women, notably when they embody the nation’s image, are said to be protected by the state as a reason for going to war. They are also projected as the victims of war when the state loses to its enemy, mainly when the enemy uses rape as a weapon to weaken national morale. On the battlefield, women are used as fighters, porters, carers, entertainers or sex slaves to enhance war fighting capacity physically or mentally. During the two world wars, in the state’s propaganda, women were encouraged to ‘give away’ their husbands and sons to the state or were recruited to fill the vacancies left by men to work in the manufacturing, agricultural or transport sectors. Their homemaking and thrifty cooking were characterised as contributing to war efforts. Regardless of which of these roles they play, they are instrumentalised by the state.

Gastrodiplomacy in Contemporary International Relations of Asia and Its Relationship to Everyday Nationalism: A Reflection on the Gastronomic Campaigns of Taiwan, Thailand, and South Korea

Written by Fatimaah J Menefee. Culinary diplomacy, food diplomacy, gastronationalism, and gastrodiplomacy are applied liberally to describe food and diplomacy in contemporary international relations. Culinary Arts as a medium in diplomacy dates to the genesis of humankind. Consider Peaches of Immortality, protected by the Queen Mother in Ancient China, that served as a reward to all faithful mortals and immortals.

Back to the 80s: Taiwanese-American Intellectuals’ Views on Taiwan Relationship in Two Oversea Magazines

Written by Sui Lam Cheung. Taiwan’s international status and sovereignty have always been closely related to US international policies. As a result, the US-Taiwan relation has always attracted widespread attention and discussion. Thus, scholars have begun to pay attention to the American aid culture in economic and cultural fields. For instance, Wang Meihsiang and Chen Chienchung have analysed the US aid literature system from a sociology of literature perspective to explain how Taiwanese intellectuals received direct or indirect economic assistance from the United States. This assistance was used to introduce or develop related cultural production literary works and cultural phenomena. In addition to examining the development of Taiwan’s literary field, US aid culture can also be another perspective to examine non-official views other than the official discourse of the US and Taiwan.

Gay Jouissance: Queering the Representation of Same-sex Desire in 1990s Taiwan Literature

Written by Yahia Zhengtang Ma. The last decade of the twentieth century was an especially interesting time in the emergence of ‘tongzhi literature’. This genre consists of literary works that ‘deal with homosexuals and homosexuality’ in Taiwan when queer cinema was introduced to Taiwan via Hong Kong. The 1990s are widely considered the golden age of tongzhi literature, animated by such widely-celebrated literary works by Ta-wei Chi, Chu T’ien-wen, Qiu Miaojin, among many others. However, existing scholarship on this has primarily emphasised the complexity of the tongzhi identity, subjectivity, and discourse around tongzhi, tongxianglian and queer in solely its original Chinese texts through the lens of cultural studies and literary studies.

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