Written by Fang-Long Shih. The life and afterlife of Chiang Wei-Shui (蔣渭水 1891–1931) have echoed what the film Rashomon has denoted: “History was not found at the time of its occurrence, but was reconfigured at the time of discovery” (dir. Akira Kurosawa 1950). In 1921, Chiang Wei-Shui founded Taiwan Cultural Association (TCA, 台灣文化協會), the first culture-based organisation in Taiwan’s history. The TCA was established “to promote Taiwan to a position of freedom, equality and civilisation”. The TCA also had a political aim to “adopt a stance of national self-determination, enacting the enlightenment of the Islanders, and seeking legal extension of civil rights”.
Jay Chou’s China Wind Pop Made in Taiwan and Its Transnational Audiences
Written by Chen-yu Lin. It is evident that “being Chinese” today can influence both music production and perceptions. The chapter argues that the construction and perception of Chineseness through popular music is multidimensional, whether the investigation concerns a China Wind song or a person’s experience of it. It also further explores other dimensions to be considered alongside the sonic journey music provides.
The ‘Marriage’ Imagination of the Queer Communities in Asia
Written by Hongwei Bao. With same-sex marriages soon to be legalised in Taiwan, which has instantly triggered the imagination of ‘marriage’ in Asia’s queer communities,