Taiwanese Identity and Racism in Taiwan

Written by Chieh-chi Hsieh. When the impact of COVID-19 was at its height in Asia this April, the director-general of the World Health Organisation (WHO), Dr Tedros Adhanom Ghebreyesus, publicly accused Taiwan of continuously attacking him with racist slurs for months. Although these accusations have been proven to be false, with the ongoing Black Live Matters campaign taking place, it does give a good opportunity to reflect on whether racism exists in Taiwan. More importantly, how this contributes to the formation of Taiwan’s identity in the contemporary epoch.

Breakthrough the thinking of “indigenous music” as a style of music

Written by Kuing, GuoTing Lin. Music is in full blossom in Taiwan, as evidenced by the vibrant contemporary Taiwanese music being produced by its indigenous musicians, which has spurred a rich cultural dialogue surrounding their production. Thus, in 2019 a diverse indigenous subjectivity has begun to enter the Taiwanese pop music market through new albums. Hence, it is worth exploring how this phenomenon differed from previous eras when albums were dominated by indigenous languages, and what this new phenomenon offers regarding a reflection of indigenous cultural consciousness.

Reserved For Whom? The Shifting Dynamics of Indigenous Voting Behaviour in Southern Taiwan

Written by Daniel Davis. In next year’s legislative elections both the KMT and DPP are hoping to secure a majority, but after the shock results of 2018 and the growing number of small parties, every seat seems to be contested. The seats held by indigenous legislators, traditionally seen as iron votes for the KMT and pan-blue parties, have also become an open contest and could play a pivotal role in the outcome of the elections.

1 9 10 11