Written by Bryn Thomas. This article interviews one of the thousands of Taiwanese who fought for Japan in the Battle of Okinawa. With at least 1000 Taiwanese troops took part and suffered a casualty rate of over 90% during the battle, the Okinawa Peace Memorial only listed 34 names of Taiwan’s war dead. The postwar political situation in Taiwan made it complex to honour these fallen soldiers.
Written by Carlos Francisco Torres Morales. Using an alliance framework, this commentary argues that Tokyo and Seoul’s reluctance to convey support to Taipei publicly stems from strategic caution, since this could provoke the undesired effects they would seek to deter by extending clear security assurances, but also to retain flexibility in their redefining their stances vis-à-vis Taiwan (and China).
Written by Wei-chi Chen. This article explores the terms “Black Cat” and “Black Dog” in colonial Taiwan during the 1920s and 30s. These terms, originating from a Taiwanese opera song, were used to translate the Japanese “moga” and “mobo,” describing emerging gender identities and a new social identity in modern urban culture. They also reflected a shift towards liberation and a contrast with existing gender norms at that time.
Written by Tommy Hall and Margaret Siu. In the digital age, politics and technology are more intertwined than ever, especially in East Asia. With nations like Taiwan wrestling with the balance between free speech and foreign interference and Japan pivoting towards advanced tech solutions for national security, the right balance remains elusive, and the stakes perennial. By exploring these critical intersections between online spaces and national politics, this work spotlights the challenges and opportunities that lie ahead for these East Asian democracies, as well as connecting the East Asian experience to the world at large.
Written by Pin-Yi Li. In the postcolonial Asian context, national museums reflect the countries’ colonial histories and their transformation, offering the country’s incumbent political elites the opportunity to reinvent or adjust the initial museum discourses framed by the colonisers. For example, respectively built by the Japanese and British colonial governments, both the National Taiwan Museum and the National Museum of Singapore are the oldest public museums in each country.
Written by An-Ru Chu. In the second half of 2022, when Taiwan was gradually relieved from the waves of omicron subvariant-induced outbreak, the country experienced an unprecedentedly large quantity of theatrical productions and cultural events since many of them should have been presented earlier but rescheduled because of the pandemic. Meanwhile, a Japanese staged play, Q: A Night at the Kabuki, broke National Theatre (NT) box office record in Taipei. NT sold 12,000 tickets in merely twenty minutes for the first time in thirty-five years. When applauding the artistic achievement of the play per se, most posts also mentioned the following two aspects: first, the strong emotions evoked by seeing one of the leading actresses, Takako Matsu, in person, which echoes how the show had extensively grabbed the media’s attention since last May.
