Unjust Deserts: Japan’s Taste for Modernity and Its Satisfaction Through Taiwanese Sugar Plantations

Written By Lilian Tsay. The Japanese empire’s importance placed on the Taiwanese sugar industry can be seen in the design of the 1935 “40 years of colonial rule” exhibition, which had a whole section dedicated to the sugar industry and provided free sugar water to visitors. The sugar industry was a crucial part of the colonial economy; it also heavily impacted Japan’s dietary customs. Japan did not produce its own white sugar. Before the Meiji era, deserts in Japan were made using either dark sugar from Okinawa, wasanbon from Shikoku, or from white sugar imported from Southern China. Just as described in “Southward Expansion to Taiwan,” only with Taiwan’s help could Japan’s confectionery industry successfully develop alongside the expanding Japanese empire.

Digital Governance or Digital Democracy? What Can We Learn from Taiwan’s Counter-COVID-19 Measures?

Written by Boyu Chen. Taiwan has won accolades internationally for its success in combating the COVID-19 pandemic, which is still wreaking havoc worldwide. The IT minister, Audrey Tan, has gained recognition due to the successful application of information technology to control the pandemic. This includes the digital mask map that efficiently delivers masks to citizens, along with smartphone applications for contact tracing by GPS data. The young and innovative Audrey Tan has become very popular in Japan, where many people envy Taiwan’s excellent use of information technology to counter the virus.

City Pop in Taiwan: old mainstreams becoming new indies

Written by Yan-Shouh Chen. As City Pop become more known to Taiwanese indie music lovers, unveiling J-pop history might not be enough. Some fans turned their eyes toward Taiwanese artists that are good at creating groovy melodies. These artists might consider themselves as R&B and Hip Hop rather than City Pop, but the boom did them a favour, and now the spotlight is on them.

Wu Zhuoliu’s Orphan of Asia and the Madness of the Colonial Reality

Written by Makiko Mori. Wu Zhuoliu’s (1900–1976) Orphan of Asia is a renowned work of colonial Taiwanese literature. Surreptitiously written towards the end of Japan’s colonial rule in Taiwan (1895-1945), this semi-autobiographical novel bears a powerful witness to Taiwan’s deeply troubled, albeit legitimately modern, claim for the right to self-determination and self-representation.