Voices Lost Between the Frames: On Island in Between

Written by I-Lin Liu. This article provides a critical analysis of the Oscar-nominated short documentary Island in Between, asking who the film is for and what lies beyond the representations. The author traces the history of when and how nonfiction films became a medium for intercultural communication, which resonates with the director’s experiences and goals for the film. Despite the film’s deliberate distance from forms of government-produced propaganda, connections can still be seen, particularly that government-sponsored or produced films, in fact, dwindled from the Best Documentary Short Film category decades after its establishment. In addition, the depiction of Kinmanese in the film, in conversation with national identities and boundaries, remains contested through the director’s lens.

Island in Between: An Eternal Frontier? 

Written by Chee-Hann Wu. This article argues that the Oscar-nominated short documentary Island in Between highlights the liminality and in-betweenness of both the island of Kinmen and the director’s diasporic identity. Rather than emphasizing its geopolitical significance and constant military presence, the short documentary focuses on the director’s personal journey and narrative, growing up in both Taiwan and the US, moving back to Taiwan in 2017, and during the COVID-19 pandemic, being drawn to Kinmen where his father served in the military. Through the director, the audience sees how he re-experiences Kinmen as a way to reconnect with a part of his identity, and is also able to reimagine Kinmen’s past and present.

The Howitzer Drill Demonstration in Kinmen 

Written by An-Ru Chu. This article explores the performative nature of the cannon drill demonstration at the Shishan (Mt. Lion) Howitzer Front, a popular tourist attraction in Kinmen, in conversation with Island in Between. Unlike the drill or military-related actions performed at other sites, the cannon drill at Kinmen is unique in that it is not performed by soldiers, but exclusively by performers. In addition, the multilayered identities of the performers further complicate people’s engagement with a contested land like Kinmen. The author traces the history of such a performance and argues its linearity in conversation with Kinmen’s Cold War memories.

At the Edge of State Control: The Creation of the “Matsu Islands”

Written by Sheng-Chang Lin. As well as creating Matsu as a region, the Cold War also tied Matsu to Taiwan. Communication had been minimal between the two before the war—Taiwan was a colony of Japan, whereas Matsu was part of Fujian—but not both regions were part of a new post-war state. Especially due to the prosperity on Taiwan Island, migration from Matsu to Taiwan has become increasingly common. Nowadays, the Bade district of Taoyuan City(桃園市八德區) and Keelung City (基隆市)are known for their large Matsu population.

Remembering Tragic Spirits: The Worship of Nationalist and Communist War Dead in Kinmen

Written by Junbin Tan. would know, Kinmen was the Republic of China’s (ROC Taiwan) battlefront against the People’s Republic of China (PRC) from 1949 to the 1990s. Thus, the residents of Guningtou, a cluster of villages a short drive from Kinmen’s north-western shoreline where one could see Xiamen’s skyscrapers, were first-hand witnesses of battles, artillery bombardments, and decades of militarisation.

A Political Gamble: Taiwan’s Kinmen Island and the Decision of Supporting the Central Government’s Coronavirus Prevention Measures

Written by Shun-Te Wang. As Chinese influence infiltrates everyday life in Kinmen, local politicians still find it challenging to predict local opinion over border control issues. In early February 2020, 6 kilometres away from China, a dissatisfaction toward the government’s Coronavirus prevention measures became prominent on the Kinmen island. The island’s public demand that Taiwanese central government, which is 300 kilometres away from Kinmen, to suspend the “Three Links” to prevent the Coronavirus disease 2019 (COVID-19) from entering.