Ivan Karamazov with a Maoist Face: Guo Songfen’s Book Collections and Third World Existential Marxism

Written by Po-hsi Chen. Guo’s concern resembled the philosophical rendition of the post-war Czechoslovakian ‘socialism with a human face’, which emphasised individual freedom and personal choice under the Soviet regime. Indeed, Guo passingly referred to ‘Second World’ Eastern European communist theorists’ re-reading of Sartre in the post-Stalin context.

Documenting Taiwanese Modernism: Le Moulin’s Untimely Historical Project

Written by Tim Shao-Hung Teng. In 2015 Taiwanese filmmaker Huang Ya-li (黃亞歷) released his documentary Le Moulin (Riyaori shi sanbuzhe/ 日曜式散步者) to critical acclaim. The film recounts the major life events of four core members of Taiwan’s prewar surrealist poetry society, Le Moulin (fengche shishe/風車詩社). Known for its experimental style that does away with interviews and voice-over narrations, the nearly-three-hour film cites, extracts, pastes, and freely associates materials such as literature, paintings, photography, sounds, film footage, diary entries, and newspaper clippings. These sources are not always readily recognisable and nor are they all directly related to the poets’ works.

The Making of a “Heroine”: Huang Bamei and the Politics of Wartime History in Postwar Taiwan, 1945–1982

Written by Weiting Guo. While some may think that we have garnered enough fragments of Huang Bamei’s life, one should bear in mind that the richness of her literary representations, together with the scarcity of her appearance in official documents, may have made her disappear inside the conventions of her own stories—a dilemma that often appears in the memories of mythologized figures.