Written by Fang Tang. The word ‘diaspora’ derives from the Greek – dia, ‘through’, and speirein, ‘to scatter’， and was used to refer to the exile of the Jewish people from their homeland, the historic Israel. William Safran extends this concept in modern society to encompass a feeling of alienation, a nostalgic longing for the homeland and the self-consciousness act of defining one’s ethnicity. Over the past several decades, Chinese diasporic literature has generally been concerned with the motifs of nostalgia, homesickness, cultural identity and a sense of belonging.
Written by Ti-Han Chang. Many more can be said on the comparative study of these two novels, yet what is important here is to highlight what sort of future prospect that one can further expect from the development of Taiwanese postcolonial literature as well as its significance in “worlding” Taiwanese literature as a whole. An emerging feature that may potentially be established into a kind of “new traditions” for Taiwanese postcolonial literature is the sparks that come out from its cross-disciplinary reference to environmental literature.
Written by Mary Wang. Reading Nobel Prize winner Albert Camus’ canonical novel, The Plague at the time of the COVID-19 pandemic outbreak led me to meditate on Taiwan’s current situation and the possibilities for its future. As the COVID-19 crisis has been unfolding, paralysing the whole globe, I found that Camus’ novel allows for meaningful comparison between the situation described in Camus’ short novel and the experience of Taiwan as an estranged member of the international community.
Written by Shang Haifeng.
This venerable and influential company began releasing publications on Buddhism as part of its “Series of Annotated Modern Translations of [Chinese] Classics” (古籍今注新譯叢書) as early as the 1960’s. This was at the same time that China’s heritage – and its religious heritage in particular – was suffering sustained attacks during the Cultural Revolution.
Written by Ti-Han Chang. From a global perspective, today’s Taiwan is known for its cultural and ethnic diversity, its complex political relationship with China, and its recent achievements in socio-political democratisation (for instance, the Sunflower student movement and the legalisation of same-sex marriage). Yet, not many people have come to know contemporary Taiwan through its postcolonial literature, which, for me, is an important field that foregrounds Taiwan’s significance in the geographical context of the Asia Pacific in modern time.
Written by Julian Chih-Wei yang. Chen Kuo-Cheng (陳國城) – better known by his nom de plume Wuhe (舞鶴, literally ‘Dancing Crane’) – is a Taiwanese novelist renowned for his experimental, modernist style. His magnus opus, ‘The Life That Remains’ (餘生/Yusheng – officially translated as the ‘Remains of Life’), comprises only one single paragraph that is over two hundred pages long.