Written by Mark Hsiang-Yu Feng. Drawing on field notes on punk and metal musical performances by Indonesian migrant workers in Taiwan, this article reveals racism and stereotypes in the music scene. The author calls for a critical examination of multiculturalism to address the structural inequality and racial hierarchy in Taiwanese society.
Written by Mark Hsiang-Yu Feng. It is common to see that many Taiwanese musicians employ Western compositional concepts, theories, and approaches to express Taiwanese identity through music and musical performance. For example, during the 2020 presidential and general election in Taiwan, Legislator Freddy Lim, the vocalist of a renowned Taiwanese metal group called ChthoniC, gave a live concert called Taiwan Victory to congregate voters and solicit votes in front of Taiwan’s Presidential House. Many Taiwanese people showed interest in his performance, as he sang heavy metal songs to gather voters and fight against political infiltration from China. After the concert, The Guardian’s report highlights Lim’s unique career trajectory from a musician to a politician in Taiwan and the creativity of bringing music to the campaign.
Taiwan Insight 