Written by Hegerová Terézia. Fire EX. started their career in 2000 as an indie punk rock band from Kaohsiung. The four members are singer Sam, bassist Pipi, drummer Wu Ti and guitarist Oreo. The group at first performed only covers, but later started to produce their own songs. They say that their style was influenced by many other singers and bands, especially those from the US like Blink 182 and Green Day.
Written by Zuzana Shejbalová. Teresa Teng, in Mandarin Deng Lijun 鄧麗君, was a Taiwanese singer and one of the ‘Five Great Asian Divas’ of the 1970s and 1980s, alongside Judy Ongg, Agnes Chan, Ou-Yang FeiFei and Yu Yar. She was born on 29 January 1953 and unfortunately died at only 42 on 8 May 1995, suffering an asthma attack while on vacation in Thailand. She remains one of the most successful singers of the Mandarin-speaking world.
Written by Maggie Yang. Given the reality that music promotion cannot completely rely on the government’s cultural policy and subsidy, more professionals based in overseas countries are dedicating themselves to increasing Taiwan pop music’s global visibility and audibility. The three speakers I invited to the talk were from academia and industry. What they have done in the past years has exceeded the government’s capability and had a real impact for Taiwan’s artists and the music industry. Through their efforts, and those of other artists and promoters, Taiwan’s pop music is being heard on some of the biggest stages in the world.
Written by Matt Taylor. In part one of this two-article feature, where we are trying to understand the impact of the November 2018 same-sex marriage
As Taiwan’s LGBT community reels from the result of the referendum, they can find solace in the rich collection of Taiwan’s LGBT music cannon. Those songs that saw the community fight against discrimination, against inequality, and espouse the values of freedom, individuality and defying the status quo have an even more important meaning now than they did before.
Written by Terez Vincz The key figure of the second wave of Taiwanese New Cinema, Tsai Ming-liang’s The Walker (2012) consists of twenty-one shots recorded by a fixed camera. This article will