Written by Maggie Yang. Given the reality that music promotion cannot completely rely on the government’s cultural policy and subsidy, more professionals based in overseas countries are dedicating themselves to increasing Taiwan pop music’s global visibility and audibility. The three speakers I invited to the talk were from academia and industry. What they have done in the past years has exceeded the government’s capability and had a real impact for Taiwan’s artists and the music industry. Through their efforts, and those of other artists and promoters, Taiwan’s pop music is being heard on some of the biggest stages in the world.
Written by Matt Taylor. In part one of this two-article feature, where we are trying to understand the impact of the November 2018 same-sex marriage
As Taiwan’s LGBT community reels from the result of the referendum, they can find solace in the rich collection of Taiwan’s LGBT music cannon. Those songs that saw the community fight against discrimination, against inequality, and espouse the values of freedom, individuality and defying the status quo have an even more important meaning now than they did before.
Written by Terez Vincz The key figure of the second wave of Taiwanese New Cinema, Tsai Ming-liang’s The Walker (2012) consists of twenty-one shots recorded by a fixed camera. This article will
Written by Terez Vincze “I think that our present age is probably the worst time of all to be alive… Living in today’s world is terrible, I’m always
Written by Cecília Mello The films of Tsai Ming-liang have been helping to shape our world cinema landscape since the early 1990s. On one hand, they belong to what
Written by Jocelle Koh While those not in the know might still see Mandopop as a less well-produced version of K-pop, a light scratch beneath
Written by Eric Scheihagen. Despite the efforts of the songwriters mentioned in part one and others, Hoklo songs saw a steep decline in the late