Written by Anne Sokolsky. This article examines Taiwan no shōjo (1944), a collection of essays by Taiwanese writer Huang Fengzi, arguing that its emotional language reveals the complexities of colonial identity under Japanese rule. Through an analysis of competing voices and affective expressions, it explores how emotions, power, and cultural belonging shaped both the text and its colonial context.
Written by Po-Han Lee, Alvaro Martinez-Lacabe, and Yu-chin Tseng. This special issue, featuring the co-editors and authors of the recently published edited volume, Feeling Taiwan, explores how emotions shape Taiwan’s politics, history, and everyday life. Drawing on six case studies, it examines how feelings are not separate from knowledge but fundamental to understanding identity, social change, and lived experience, while inviting broader audiences to engage with Taiwan through emotion.
Written by Romain Blachier. This article explores Taiwan’s twenty-year presence at the Festival Off d’Avignon, arguing that international cultural exchange is shaped by language, institutional practices, and artistic selection. It highlights how these factors influence what Taiwanese artists can communicate abroad and emphasises the value of sustained cross-cultural collaboration.
Written by Sheng-mei Ma. This is Part II of the article. Through a close reading of the Chinese TV series Reset, the article argues that its recurring time loops, terrorism, and symbolic imagery allegorise authoritarian violence, historical repetition, and state repression in the People’s Republic of China, which ultimately frames Taiwan as the regime’s imagined final object of political and territorial consumption.
Written by Sheng-mei Ma. This is Part I of the article. Through a close reading of the Chinese TV series Reset, the article argues that its recurring time loops, terrorism, and symbolic imagery allegorise authoritarian violence, historical repetition, and state repression in the People’s Republic of China, which ultimately frames Taiwan as the regime’s imagined final object of political and territorial consumption.
Taiwan is too often reduced to a geopolitical abstraction, but this essay reads the island as a body — one that carries the trauma of colonisation, the 228 massacre, and the White Terror in its very flesh. Through memorials, indigenous counter-mapping, and the Mazu pilgrimage, Taiwan heals by inscribing its wounds back onto the map: re-membering, in the flesh, as another name for healing
