History and Taiwanese Identity in Wei De-Sheng’s Warriors of the Rainbow: Seediq Bale

Written by Yao-hung Huang. The Taiwanese director Wei De-Sheng burst onto the international scene over a decade ago with his critically acclaimed musical drama Cape No. 7. The movie was an unexpected box office success, and saw Wei held up as a beacon of hope for Taiwan’s beleaguered film industry. Nonetheless, Cape 7 came under fire in some quarters for painting the legacy of Japanese colonial rule in a positive light.

Critical Women in Seediq Bale: A Response to Professor Chin-ju Lin Concerning Seediq Cultural Politics

Critical Women in Seediq Bale: A Response to Professor Chin-ju Lin Concerning Seediq Cultural Politic. Written by Darryl Cameron Sterk. In Seediq Bale men cut these ties asunder; and though I would not expect to find the same division of labour today, my observation is that it is still tends to be women who are trying to keep things together. I relied on Temi Nawi, a former Catholic nun who devoted the last three decades of her life to Seediq education and research, for the material on weaving.