Positioning Taiwanese Queer Cinema on the Global Stage

Written by Yi Wang. Significant progress and landmark rulings in advancing LGBTQ+ rights have been made across Asia in recent years, though many challenges and obstacles remain. Asians are among the fastest-growing ethnic groups in the UK, but Asian LGBTQ+ communities are not widely represented. Film reflects society and a medium capable of raising awareness amongst audiences in a direct and accessible way. Queer representation in the media is strongly linked to the wider public’s views on LGBTQ+ communities. I founded Queer East to amplify the voices of under-represented queer Asian and diasporic communities.

History and Taiwanese Identity in Wei De-Sheng’s Warriors of the Rainbow: Seediq Bale

Written by Yao-hung Huang. The Taiwanese director Wei De-Sheng burst onto the international scene over a decade ago with his critically acclaimed musical drama Cape No. 7. The movie was an unexpected box office success, and saw Wei held up as a beacon of hope for Taiwan’s beleaguered film industry. Nonetheless, Cape 7 came under fire in some quarters for painting the legacy of Japanese colonial rule in a positive light.

Critical Women in Seediq Bale: A Response to Professor Chin-ju Lin Concerning Seediq Cultural Politics

Critical Women in Seediq Bale: A Response to Professor Chin-ju Lin Concerning Seediq Cultural Politic. Written by Darryl Cameron Sterk. In Seediq Bale men cut these ties asunder; and though I would not expect to find the same division of labour today, my observation is that it is still tends to be women who are trying to keep things together. I relied on Temi Nawi, a former Catholic nun who devoted the last three decades of her life to Seediq education and research, for the material on weaving.