Written by Ta-wei Chi. It is rewarding to revisit history. I am motivated to reread the martial-law-period queer literature often, for it reminds me that the members of sexual minorities back then were imagined leveraging their survival despite their minimalised resources. Maybe it is precisely because of their precarious lives that they had to empower themselves with intergenerational articulations, in which queer seniors were indispensable.
Written by Yahia Zhengtang Ma. The last decade of the twentieth century was an especially interesting time in the emergence of ‘tongzhi literature’. This genre consists of literary works that ‘deal with homosexuals and homosexuality’ in Taiwan when queer cinema was introduced to Taiwan via Hong Kong. The 1990s are widely considered the golden age of tongzhi literature, animated by such widely-celebrated literary works by Ta-wei Chi, Chu T’ien-wen, Qiu Miaojin, among many others. However, existing scholarship on this has primarily emphasised the complexity of the tongzhi identity, subjectivity, and discourse around tongzhi, tongxianglian and queer in solely its original Chinese texts through the lens of cultural studies and literary studies.