What’s Exactly Wrong with Taiwanese Media?

Written by Ti Wei. To solve the Taiwanese media problem, the first step is to recognise that the problem is unique and not like any other case in the world. Moreover, this problem could not be explained by any Western theories. Therefore, we need to carefully clarify and re-examine the nature of the problem and study society and the audiences thoroughly. Then, based on the re-acquainted knowledge, we may draw a new and reflective plan for rebuilding the media system. The only thing for sure is that it is neither commercial nor public in the Western sense. In addition, the latest development of media platformatisation and the new audience generation should be considered. The task is tough, but any endeavour to pay should be worthy when we think of how much hardship Taiwanese media have been through.

Taiwan’s Enduring Controversy on Absentee Voting and the Role of Media

Written by Julia Marinaccio and Jens Damm. However, Taiwanese journalism also did its share. Like the political party system, Taiwan’s existing media landscape is ideologically divided over the question of how to fashion cross-Strait relations. Through their ideological orientation paired with a lack of investigative journalism, they act as mouthpieces of political parties. In doing so, they reinforce existing political cleavages rather than exercising their role as informants and watchdogs.

OTT in Taiwan: How Global Platforms Meet Local Productions and Politics

Written by Yu-peng Lin and Chang-de Liu. The development of over-the-top (OTT) media services is currently the main concern of Taiwan’s audiovisual industries. An OTT media service is an audiovisual streaming service provided directly to the audience by the Internet. The Taiwanese government wishes to strengthen this industry while also seeking balanced growth for international and local operators. For the latter, how to accelerate the production of their content in the face of global competition is the biggest concern. Furthermore, given the recent success of the Asian market, international operators are interested in co-producing content with Taiwanese companies.

A Sketch of Taiwan’s Digital News Media Landscape in the Twenty-first Century

Written by Ming-yeh T. Rawnsley; Yuan-hui Hu; Victoria Y. Chen; and Lihyun Lin. Crowdfunded journalism is no longer unfamiliar to Taiwanese people who care about the media ecosystem. Although journalism in Taiwan has been challenged by the powerful influences of political and business alliances in the news industry and the constant impact of ever-changing technological advances, crowdfunded journalism has provided a fresh possibility and lent financial assistance to independent media organisations and citizen journalism. All these undoubtedly positively affect the reconstruction of Taiwan’s news and media industry.

Memes and Milk Tea Alliances: Ludic activism in Taiwan in 2021

Written by Genevieve Leung. The Milk Tea Alliance was formed when Mainland Chinese social media users attacked two Thai celebrities to support pro-democracy protesters in Hong Kong and Taiwan independence activists. Thai social media users deployed humour to combat the attacks, and Taiwan and Hong Kong users joined in, using the shared custom of drinking milk tea, along with various minoritized statuses, as the cohesive forces that “naturally” drew them together.

Celebrity and Spokes-character Endorsement in Taiwan

Written by En-Chi Chang. ‘I started my day by putting on my Uniqlo LifeWear coat endorsed by Vivian Hsu. Then I headed out and stopped by 7-Eleven to buy a cup of City Coffee endorsed by Gui, Lun-Mei (桂綸鎂) for breakfast. Then, rushing to the MRT station, I used Open-chan(Open將) iCash card to take the MRT train to work. Though I do not have an ASUS ROG 5 designed by Nyjah Huston, my ACER endorsed by GBOYSWAG (鼓鼓) was just fine for work. After work, I decided to treat myself to a nice dinner at Eatogether endorsed by Accusefive (五告人). Then I went home and treated myself with a round of massage on my Fuji Massage chair endorsed by Ariel Lin (林依晨) while playing the game ‘Lineage II’ (天堂II) endorsed by Takeshi Kaneshiro (金城武).’

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