Written by Hsin-I Sydney Yueh. On November 13, 2021, NBA player Enes Kanter posted a Twitter message, stating that Taiwan is “not a part of China”; this particular video elicited a warm-hearted response from Taiwan’s President Tsai Ing-wen. She said, “Thank you, Enes, for standing with Taiwan and standing up for democracy.” Kanter quoted Tsai’s reply and said he wanted to “meet the brave people of Taiwan.”
Written by Chen-Yu Lin. While the presence of music is found mainly in the side events of TCCF, it implies that music is an effective and powerful medium to engage the public and bring publicity. However, the relationship between music and other cultural technologies is yet to be probed, problematized, and identified. While the influence of technologies is praised and habitually presented in a positive light in TCCF, the unceasing tension between music creators and technological development—highlighted by discussions of streaming royalties and antitrust regulations—is concealed.
Written by Shih Chang. On October 25th, 2020, an exhibition commemorating the 75th anniversary of the recovery of Taiwan from Japanese colonial rule was held at the National Museum of China. The exhibition is divided into six sections that aim to show the “complete history” of the island of Taiwan from ancient to modern times. The first four sections: “Treasure Island, Taiwan,” “Nine States of Common Sorrow,” “Protecting Sovereignty against Japanese” Sovereign,” “Long Song as a Sword,” “Taiwan fending off the Japanese,” and “Cross-Strait Dreams,” objectively recreates the history of Taiwan’s “return to the motherland” and the development of cross-strait relations.
Written by Yi-Yu Lai. “Have you ever watched Meteor Garden (流星花園) before? I was so crazy about Dao Ming Si and his gang before!” Many Taiwanese might be familiar with the similar conversation when they first met their Filipino friends. Since my friends know I am from Taiwan, they sometimes asked me to sing its theme song Qing Fei De Yi (情非得已) for them. They also love to hum the tune to me, though they cannot speak Mandarin at all.
Written by Brian Hioe. Taiwan may have a long way to go with regards to this before achieving anything like the successes of the Taiwanese New Wave some decades back. This ultimately returns to issues that exist on multiple levels, all the way from within the film industry to government promotion of Taiwanese films.
Written by Huynh Tam Sang and Tran Hoang Nhung. Taiwan’s popular culture—actors, idols, music, and dramas, usually known as the “Taiwanese Waves,” has gained popularity on Vietnamese media sites. The 2004—2008 period saw a boom of Taiwanese idol dramas, e.g. “It Started with a Kiss, 2005” (惡作劇之吻), “The Prince Who Turns into a Frog, 2005” (王子變青蛙), “The Tricks of Boys and Girls, 2006” (花樣少年少女), “My Lucky Star, 2007” (放羊的星星), screened on Vietnam’s TV channels. Taiwan’s singers and bands, e.g., F4, 183 Club, 7 Flowers, S.H.E, Jay Chou, were once familiar among Vietnamese youths.
