Written by Brian Hioe. Taiwan may have a long way to go with regards to this before achieving anything like the successes of the Taiwanese New Wave some decades back. This ultimately returns to issues that exist on multiple levels, all the way from within the film industry to government promotion of Taiwanese films.
Written by Huynh Tam Sang and Tran Hoang Nhung. Taiwan’s popular culture—actors, idols, music, and dramas, usually known as the “Taiwanese Waves,” has gained popularity on Vietnamese media sites. The 2004—2008 period saw a boom of Taiwanese idol dramas, e.g. “It Started with a Kiss, 2005” (惡作劇之吻), “The Prince Who Turns into a Frog, 2005” (王子變青蛙), “The Tricks of Boys and Girls, 2006” (花樣少年少女), “My Lucky Star, 2007” (放羊的星星), screened on Vietnam’s TV channels. Taiwan’s singers and bands, e.g., F4, 183 Club, 7 Flowers, S.H.E, Jay Chou, were once familiar among Vietnamese youths.
Written by Chen-Yu Lin, Yun-Siou Chen and Yan-Shouh Chen. Music is a powerful symbolic good, and it is not uncommon that this symbolic good can be shipped into opposing – or different – ideological systems, influencing other societies. However, sometimes musicians fear the consequences of singing or expressing what they want. As South African musician John Clegg once said, “censorship is based on fear”. Regardless of forms, music censorship requires an agent capable of negatively affecting a musician, whether that means imprisonment, loss of income or receiving negative comments online.
Written by Sui Lam Cheung. Taiwan’s international status and sovereignty have always been closely related to US international policies. As a result, the US-Taiwan relation has always attracted widespread attention and discussion. Thus, scholars have begun to pay attention to the American aid culture in economic and cultural fields. For instance, Wang Meihsiang and Chen Chienchung have analysed the US aid literature system from a sociology of literature perspective to explain how Taiwanese intellectuals received direct or indirect economic assistance from the United States. This assistance was used to introduce or develop related cultural production literary works and cultural phenomena. In addition to examining the development of Taiwan’s literary field, US aid culture can also be another perspective to examine non-official views other than the official discourse of the US and Taiwan.
Written by Lihyun Lin and Chun-yi Lee. On November 18, 2020, the National Communications Commission (NCC) in Taiwan refused to renew the licence of CTiTV. This decision caused much protest from the opposition party, with the Kuomintang (KMT)’s high-pitch of ‘protecting press freedom.’ We found ironic how the KMT used Deng Nan-jung (鄭南榕) ‘s case as an example to indicate how the ruling party in Taiwan – the Democratic Progressive Party (DPP) – intervened in press freedom and sacrificed Taiwan’s democracy.
Written by Don McLain Gill. As Taiwan celebrates its National Day on October 10, the Indian media has played a pivotal role in creating an amiable platform for fostering closer relations between the two peoples. Throughout history, non-state actors such as the media, think tanks, and other organisations have continuously played a crucial role in forging closer ties between Taiwan and India. However, if India continues to appease China vis-à-vis its “One China Policy,” relations between New Delhi and Taipei may not be significantly maximised.
