Written by Julien Laporte. Following the closing of Taiwan international borders in the time of the Covid-19 pandemic, the Tao people have seen an unexpectedly high number of visitors on their territory. Since 2020, they have been experiencing the consequences of that overtourism that calls for respectful and sustainable tourism.
Written by GuoTing Lin (Kuing). This work uses digital ethnography to consider how Taiwanese indigenous musicians utilise Facebook as their primary official platform for audience communication. I go about this by analysing cover images, profiles, photos, and feeds on Facebook, which is used to depict the details of the texts, photos, and videos. It thus shows the self-presentation and the communication of Taiwanese indigenous musicians concerning cultural and social issues. Moreover, I argue that indigenous musicians perform their identity through online self-presentation in everyday life.
Written by DJ Hatfield. Over the past ten years, images of Indigenous people have increased both in Taiwan and international representation. Indigenous people appear in depictions of Taiwan’s relationships to Southeast Asia and the Pacific, in promotions of Taiwan as a tourist destination, in discourses of sustainability, and images of environmental protest. In relationship to these representations of Indigenous people, Taiwanese Indigenous contemporary artists maintain an ambivalent footing, aware that current indigenous visibility rearticulates Taipei (here referring broadly to settler power) rather than displacing it.
Written by Sandrine Marchand. In Taiwan, 1945 marks the end of the Japanese colonisation. For many Taiwanese intellectuals and writers, it also means the abandonment of the Japanese language for Mandarin. But a language cannot be erased as quickly as architecture or other material goods. The language of childhood – the language of education – stubbornly persists. After this initial silent period, in the 1970’s – thanks to the Nativist movement – there has been a revaluation of pre-war Taiwanese writers gathered under the appellation of “a translingual generation” as they emerged from the shadows.
Written by Adina Zemanek and Lara Momesso. Since the early 2000s, immigrants from mainland China and Southeast Asia have been an increasingly visible component of Taiwan’s social and public landscape. As such, they have received growing recognition both in terms of legal provisions and in the public discourse. An example of this acknowledgement is the December 2019 issue of Taiwan Panorama, a promotional magazine issued by the Ministry of Foreign Affairs. Half of this issue is dedicated to highlighting migrants’ presence in Taiwan. One of the articles calls for listening to their unique life stories, which would have the transformative effect of understanding the world from a new perspective and dismantling preconceptions about Southeast Asian cultures.
Written by Ratih Kabinawa. Drawing from Risse-Kappen’s seminal book and his framework of domestic and international structures, this article explains Taiwan’s long-standing engagement with non-state actors in promoting its foreign policy objectives in Southeast Asia via a case study of the New Southbound Policy (NSP). After enjoying some success in maintaining semi-official contacts with Southeast Asian countries during the cross-Strait relation détente, the election of Tsai Ing-wen compelled Taiwan to bring transnational relations back into its foreign policy. In 2016, Taiwan’s newly elected president, Tsai Ing-wen, introduced a foreign policy flagship that stressed the essential role of people-to-people diplomacy in promoting Taiwan’s foreign policy objectives in Southeast Asia.
Written by Tsaiying Lu. “Go Nuclear to go green.” Under this catchphrase, during Taiwan’s 2018 referendum, pro-nuclear activists have successfully framed green energy as “unstable” and “unmatured” electricity-generating technology. They proposed to abolish Section 1 of Article 95 of the Electricity Act, which states terminating all nuclear power plants by 2025, was passed with a 40.27% approval. The result is a significant setback not only to President Tsai Ing-Wen’s (2016-2024) energy policy, “Nuclear-Free Homeland by 2025,” but also to offshore wind energy’s (OWE) development.
Written by Chen Jie (陈杰). There are remaining concerns urging the government of democratised Taiwan to support democratic causes and human rights in China. In fact, for the Tsai Ing-wen administration, these issues have strengthened. Despite their disdain for the one China project, politicians of the Democratic Progressive Party (DPP) share the sentiment that Taiwan’s own democratisation inspires China. This is echoed internationally. The former US Vice President Mike Pence spoke positively about Taiwan’s “embrace of democracy” and the example it had set for “all the Chinese people.”
Written by P. Kerim Friedman. We often assume that all language learning serves the same purpose: communicating with native speakers of the target language. The truth is that this is not always the case. There are many other reasons people might decide to learn a language: It might be a requirement for school, work, or citizenship. A philosopher might want to read German, and a linguist might only desire to learn enough Japanese to analyse the language’s grammatical or phonetic structure. Many people worldwide learn Hebrew, Latin, or Arabic as part of their religious training and only use those languages in that limited context.
Written by Yiling Pan. What is the Taiwanese identity in today’s Taiwan Cinema? In 2008, Taiwan’s Cinema began to get back on its feet after an extended lull, with several new directors successively releasing critically acclaimed first works, such as Chung Mong-hong’s Parking, Tom Lin Shu-yu’s Winds of September and Gilles Yang’s Orz Boyz!. However, it took Wei Te-sheng’s debut, Cape No. 7, to become a box-office hit and arouse widespread interest in Taiwanese film. .
Written by Daniele Mario Buonomo. The diffusion and practice of Traditional Chinese medicine (TCM) is an important issue both in the Chinese and Western worlds. In European and Western countries, TCM, and specifically acupuncture, is increasingly popular. In 1979, for the first time, acupuncture and moxibustion received the attention of the World Health Organization. TCM’s importance has even been stressed in 2010 by UNESCO, who inscribed acupuncture and moxibustion on the Representative List of the Intangible Cultural Heritage of Humanity.
Written by Chee-Hann Wu. Puppets are mysterious creatures with lives and narratives different from that of humans. With its poetic and metaphorical nature, puppetry can unfold untold stories, censored or silenced. Flip Flops Theatre’s Lala: The Singing Bear (2019) and I Promised I Wouldn’t Cry (2019) are examples of puppets’ potentiality to access and tell these stories. Both pieces, designed for adults and children, adopt puppetry as a medium to address trauma under the White Terror.
Taiwan Insight 