Written by Perl Li. In light of the recent pressure China is exerting on Taiwan through tourism, I hope the Tourism Bureau will properly utilise its resources to improve its campaigns both to support the tourism economy as well as Taiwan’s international reputation.
Writen by Giulia Mengato. My research on Indigenous communities in Taiwan shows that the needs and wishes of Indigenous peoples are still considered secondary to those of government. I argue for a more nuanced approach wherein public institutions work alongside local people. Government restrictions should not suffocate community will and should not limit the agency of local people.
Written by Brian Hoie. Although the majority of media attention yesterday focused on demonstrations by over one thousand marriage equality advocates outside the Legislative Yuan, another demonstration involving over one thousand took place outside the Executive Yuan at the same time. This demonstration involved over one thousand members of the Taiwan Association for the Rights of Non-Aboriginal Residents in Mountain Indigenous Townshipsprotesting against the Council of Indigenous Peoples’ efforts to protect indigenous traditional territories.
Written by Maja Korbecka. There are yet more talented Southeast Asian Chinese diaspora filmmakers working in contemporary Taiwan cinema and bringing forth their own complex heritage, stories and new ideas to work with film art. They represent hope for revival and new directions in Taiwan cinema. Through their work they contribute to projecting the image of Taiwan as a multiethnic and multicultural state, the full potential of which is yet to be discovered.
Written by Zuzana Shejbalová. Teresa Teng, in Mandarin Deng Lijun 鄧麗君, was a Taiwanese singer and one of the ‘Five Great Asian Divas’ of the 1970s and 1980s, alongside Judy Ongg, Agnes Chan, Ou-Yang FeiFei and Yu Yar. She was born on 29 January 1953 and unfortunately died at only 42 on 8 May 1995, suffering an asthma attack while on vacation in Thailand. She remains one of the most successful singers of the Mandarin-speaking world.
Written by Kuan-Wen Lin.
The Daxidaxi (大溪大禧) project aims to reshape an hundred year old local festival and revistalise a small town suffering from an exodus of rural population. Leading curator Tammy Liu (劉真蓉) and her team BIAS Architects & Associates describe the village rites as mixed textures of contemporary design and religious folklore giving the town of Daxi a new definition of a traditional festival.
Written by Chun-Ying Wei. The latest addition to Taiwan’s cultural intermediaries, the Taiwan Creative Content Agency （TCCA, 文化內容策進院）, marks another milestone in Taiwan’s cultural diplomacy. The incumbent Minister of Culture, Cheng Li-chun 鄭麗君, has proposed the idea of creating a ‘national team’ to promote Taiwan’s cultural and creative industries.
Written by Chieh Hsiang Wu. After years of discussions, Taiwan’s congress has finally this year passed the Basic Law of Culture, which aims to strengthen the equal cultural rights of every individual and motivate citizens to participate in cultural affairs and policy making.
Written by Alexandre Tsung-ming Chen. During the last five years relations between the Vatican and the People’s Republic of China (PRC) have developed at a dramatic pace. Many observers have been surprised at this series of events, even questioning whether the Holy See and PRC will normalise relations in the near future. Since the number of countries officially recognising the Republic of China (ROC) in Taiwan has fallen from 22 to 17 in the last two years, the Vatican-PRC diplomatic warming has caught Taipei’s attention and contributed to concerns of a diplomatic crisis.
Written by Tanguy Lepesant. Studies show that Taiwanese youths believe their quality of life as adults will be worse than their parents’ and that they are victims of “generational injustice”. They believe they have been deprived of their “right to a good quality of life” by their elders whom benefited from Taiwan’s economic miracle and accumulated wealth at the expense of environmental protection.
Written by J. Michael Cole. With Taiwan’s election campaign shifting into high gear, an escalating campaign of intimidation by one camp and a media consortium that backs its candidate threatens to seriously undermine the ability of journalists and political commentators, both local and foreign, to do their work. By doing so, that camp is hoping to impose its discourse on the process and to limit, if not silence outright, any criticism of its candidate and the proxies that are aligned with it.
Written by Chen-Yu Lin. 30 years since inception the Awards are still presented by the Ministry of Culture, but have also become a stage where musicians are free to make political statements.
Taiwan Insight 