Written by I-Sheng Wang. This article argues that Tsai Ing-wen’s election marks a significant breakthrough for gender equality in Taiwan. The Tsai era changed the political meaning of gender equality by embedding it in Taiwan’s democratic identity and state governance. However, the progress was selective, and Tsai’s legacy of equality also becomes a political asset that remains contested and challenged.
Written by Wen-chi Li. This article advocates for the institutionalisation of “Taiwanology” and the identity of the “Taiwanist.” Moving beyond traditional European Sinology, Li draws on Deleuzian philosophy to frame this transition not as a rejection, but as a dynamic process of becoming, as an open, fluid space of intellectual resistance that embraces a complex, plural, and planetary dialogue.
Written by Maytapat Pararaman. This article examines the environmental sustainability of Taiwan’s technology sector by exploring the interplay between semiconductor development, environmental governance, and international climate commitments. It argues that while legislation, the RE100 initiative, and COP26 participation have strengthened Taiwan’s green transition, tensions remain between economic competitiveness, democratic geopolitics, and ecological responsibility. Ultimately, the article suggests that eco-friendly technological innovation could become a defining pillar of Taiwan’s future international identity and global credibility.
Written by Tsai Min-Ying. This article puts Taiwanese artist Li Li-chung and Japanese artist Kota Takeuchi in dialogue through their representations of WWII aerial warfare. The author reads their two video works side by side, revealing how artists from Taiwan and Japan each remember and reflect on war, contrasting a colonial view with an imperial view in their differing concerns about aerial warfare and challenging dominant historical narratives. Their nonhuman perspectives expose war’s perceptual violence while demonstrating art’s power to preserve memory and resist future violence.
Written by Tsai Min-Ying. This article examines how wartime air defence shaped Taiwan’s visual culture through a logic of self-concealment. The author traces works by Peng Ruey-lin, Chiu Tzu-Yen, and Huang Tonghong. She argues that colonial practices of hiding from aerial surveillance persist in contemporary art as a collective memory of war, survival, and identity.
Written by Judy Lee. This article examines how emotions drive community formation among Hongkongers who migrated to Taiwan after 2019. Lee argues that these migrants channel feelings of grief and love for their home city into positive community engagement, cultural production, and education, illustrating how emotion fuels the diaspora.
