Written by Lourdes Ames-Rodriguez. “One China” and “status quo” are two contested concepts at the centre of the cross-Strait tension. This article argues that while differing interpretations of the concepts have been instrumental in maintaining short-term peace in the Taiwan Strait, they ultimately hinder prospects for a lasting, peaceful resolution by entrenching opposing positions and delaying necessary political decisions.
Written by Josh Boynton. This article argues that Taiwan’s democratisation did more than just change how Taiwan was governed, but also allowed Taiwanese to publicly express who they thought they were. It created a new social and political experience that solidified into a unique Taiwanese identity and became a moderating force, especially for the younger generation who have no memory of authoritarian rule.
Written by Will Foster. This article unpacks the emergence and development of a distinct Taiwanese political identity that was unleashed by its transition to democracy. It argues that democratisation shifted Taiwan’s identity away from the ROC’s claim over China to democratic self-determination of Taiwan’s future. It also enables the development of democratic values that shape its current tensions with China.
Written by Nikhil Sharma. This article analyses the historical contexts that underpinned eventual reforms and the reimagining of Taiwanese identity resulting from Taiwan’s democratic transition. It argues that Taiwan’s nationalism is unique because it is not rooted in ethnicity but in a shared experience of historical repression and a shared struggle to chart its own path.
Written by Sheng-mei Ma. This is Part II of the article. Through a close reading of the Chinese TV series Reset, the article argues that its recurring time loops, terrorism, and symbolic imagery allegorise authoritarian violence, historical repetition, and state repression in the People’s Republic of China, which ultimately frames Taiwan as the regime’s imagined final object of political and territorial consumption.
Written by Sheng-mei Ma. This is Part I of the article. Through a close reading of the Chinese TV series Reset, the article argues that its recurring time loops, terrorism, and symbolic imagery allegorise authoritarian violence, historical repetition, and state repression in the People’s Republic of China, which ultimately frames Taiwan as the regime’s imagined final object of political and territorial consumption.
