Written by Chee-Hann Wu. This article reflects a personal memory and classroom discussion; she explores the ethical responsibilities of artists when representing traumatic historical events. Emphasising consent, historical accuracy, and self-awareness, the piece argues that storytellers and audiences alike must engage critically with how collective trauma is portrayed and remembered in art and media.
The 30th Golden Melody Awards and Taiwan’s Democratization
Written by Chen-Yu Lin. 30 years since inception the Awards are still presented by the Ministry of Culture, but have also become a stage where musicians are free to make political statements.
