Written by Chee-Hann Wu. This article reflects a personal memory and classroom discussion; she explores the ethical responsibilities of artists when representing traumatic historical events. Emphasising consent, historical accuracy, and self-awareness, the piece argues that storytellers and audiences alike must engage critically with how collective trauma is portrayed and remembered in art and media.
10 years after Cape No. 7: The development of cinema in Taiwan
Written by Ting-Ying Lin. I can still vividly remember the scene back in the summer of 2008: I spent a typical summer afternoon at the
