An Unconventional Networking Workshop: Self-care, Wellness and Community 

Written by Yung-Ying Chang. In 2021, amid the global pandemic and the sheer transformation of lives that followed, the North American Taiwan Studies Association’s (NATSA) annual conference launched its first-ever mental health-centred networking session, “Networking? Or Working on Your Net: Care Companions & Love Objects for Mental Health.” The unconventional session invited participants to use the time during an academic conference to work on something that was not purely academic: participants shared their life setbacks and frustrations not only in academia as scholars but also in life as the various roles they have assumed in response to various expectations.

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Indigenous Taiwan through Critical Lenses: Comparative and Place-Based Perspectives 

Written by Yi-Yang Cheng, Ssu-Chieh Jessica Fan and Susan Hou. Centring on Indigeneity in Taiwan, the interdisciplinary roundtable “Indigenous Taiwan through Critical Lenses: Comparative and Place-Based Perspectives” conceptualized Taiwan as a grounding point for multiple geographical perspectives. Instead of positioning Taiwan as a boundary object between the East and the West, it prompted a fresh envisioning and repositioning of Taiwan as a liminal space of unbounded and interconnected possibilities. Put differently, the roundtable discussions explored alternative ways of positioning Taiwan in/and the world, including perspectives which might have previously been marginalized or eluded consideration.

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Beyond Books: Taiwanese Stories in the World

Written by Ssu-Chieh Jessica Fan and Cheng-Ting Wu. In recent years, Taiwan literature has experienced a surge in visibility and recognition within the global cultural community. To explore the border-crossing potential of Taiwanese stories, the planning team of the NATSA 2023 conference organized a special event, creating a lively platform for discussing the circulation and reception of Taiwanese fiction and non-fiction works in the international book market and academia.

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Taiwanese American as an Aesthetic/Academic/Activist Concern 

Organized by I-Lin Liu. Taiwanese American is not a given status but a process of becoming. For first and second-generation Taiwanese Americans, the experience of living in a foreign land and becoming a member of an ethnic minority group often creates occasions for rethinking or reconceptualizing the meanings of being Taiwanese or Taiwanese American. This article focuses on the meaning(s) of Taiwanese American identity, community building, and the future of the Taiwanese American identity.

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NATSA: Repositioning Taiwan

Written by Chee-Hann Wu. The North American Taiwan Studies Association (NATSA) is a registered nonprofit organization and the largest scholarly association dedicated to Taiwan Studies in the United States and Canada. It was founded in 1994 when Taiwan Studies became a booming field of research that attracted international attention during the 1990s, a period of rapid political, economic, social, and cultural change in Taiwan. The growing academic interest in Taiwan called for a regular and interdisciplinary academic forum. To establish such a forum, the North American Taiwan Studies Association’s constitution was drafted and ratified at the first annual conference at Yale University in June 1994.

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Reflections on the Identity at Indigenous Popular Music Training Camp in Taiwan 

Written by Kuing, Guo-Ting Lin. In recent years, there have been various Indigenous popular music creation and cultivation programmes in Taiwan. For example, the music training camp “Psiwali School” at the Pasiwali Music Festival in Taiwan with the purpose of discovering Indigenous musicians. Another example is the “MINETJUS Electronic Music Production” Programme, which is held by Dark Paradise Records (派樂黛唱片), an independent record label based in Taipei. This initiative blends electronic music and Indigenous culture to help younger musicians turn cultural marginality into unique cultural assets. Most training camps in Taiwan still rely on government support, aiming to strengthen the unique cultural identity of contemporary Indigenous youth and regard this as a catalyst for promoting ethnic diversity. This article examines the meaning of Taiwan’s Indigenous popular music creation and cultivation programmes.

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The Search for a Shared Script: A Very Brief History of Writing Lyrics in Taiwanese 

Written by Cheng-Ting Wu. Imagine you are trying to write a song in Taiwanese Southern Min (hereinafter “Taiwanese”). After creating a soulful melody and heartfelt lyrics, you wonder: How should I write them down? You can choose any of the music notations you prefer for melody, from staff to numbered system. For lyrics, regardless of whether you are a native speaker or a learner of Taiwanese, you also have a choice. This brief article discusses this choice or the different strategies in the history of writing music in Taiwanese.

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Hoklo Rap and Taiwanese Resistance Vernaculars 

Written by Meredith Schweig. Since the end of the 1980s, when rap music first took root in urban Taiwan, artists have explored the creative possibilities inherent to rhyming in the multiple languages spoken on the island. Early commercial pop-oriented performers like Yu Chengqing tended to rap in Mandarin; acts primarily associated with the underground folk and rock scenes, like Blacklist Workshop and Jutoupi, performed almost exclusively in Hoklo; and American-born Taiwanese teen sensations the LA Boyz peppered their Mandarin and Hoklo verses with English.

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Indigenous popular music and language revitalisation in Taiwan 

Written by Karen Huang. In 2020, Paiwan singer Abao (阿爆) became an overnight sensation at the 31st Golden Melody Awards (GMA) when her Paiwan album ‘Kinakaian MOTHER TONGUE’ brought home multiple major awards, including the ‘Album of the Year’ and ‘Song of the Year’. The awards surprised many, as Mandarin popular music usually dominates these two cross-language categories. It was the first time an Indigenous-language singer had won both categories simultaneously.

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In memory of Prof. Ian Inkster

Written by Chun-yi Lee. The deep sorrow of never receiving another book proposal from Ian is everlasting. But I know in my heart that his influence will continue: his thoughts will inspire further contributions to Taiwan-related studies. Thank you, Ian. We learned so much from you when you were with us, both in person and through email communications, and we will keep learning from your writings every time we read your publications. And yes, I always, always give you my positive vibes!

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Why is there so little policy debate in Taiwan’s presidential campaigns?

Written by Gunter Schubert. Taiwan is gearing up for another round of national elections, scheduled for next January. As always, media coverage of election campaigns focuses on the presidential aspect of the national ballot, as this is where elections become most personalized. This is the essence of Taiwanese political culture. All politics becomes personal, involving interactions between candidates and voters, particularly at the local level.

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Reflections on the Twentieth Anniversary of the European Association of Taiwan Studies

Written by Dafydd Fell. It was a special moment to open the 2023 European Association of Taiwan Studies (EATS) Conference back at SOAS twenty years after we started planning the first conference. The venue for the opening in June 2023 was even the same as the first 2004 conference in the SOAS University of London’s Khalili Lecture Theatre. It was also wonderful to see many people at this year’s conference who had also been involved in the early history of the association. Reflecting back over the last twenty years, it is remarkable how European Taiwan Studies has developed, and EATS has played a critical role in this Taiwan Studies miracle.

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