Written by Chun-yi Kuo. From a personal point of view, this essay attempts to shed light on the opening sequence of Huang Ya-Li’s film Le Moulin (2015) by explaining the metaphor of the sequence and the film. I will clarify the history of Taiwan’s cinematographic work, along with that of surrealist poets, and their connection to Taiwan’s national history.
Written by Dominika Remžová. Despite the recent 228 Incident commemoration, along with the latest exonerations of White Terror political victims, the lack of retributive justice from criminal trials or other perpetrator-focused measures remains the case in Taiwan. In fact, the legality of the only perpetrator-focused act related to the KMT’s party assets has been continually contested by the party, despite the ruling of the Council of Grand Justices that upheld the constitutionality of the act’s provisions. A similar lack of retributive justice occurred in another country with a recent authoritarian past, Slovakia
Written by Kuan-Wei Wu 吳冠緯. Like his East-Asian contemporary intellectuals, Joshua was a product of both Western and Eastern traditions during those divided times. His reflection on statehood enfolds different trends of twentieth-century thought. This makes him a complex but intriguing thinker. When previous studies emphasise his political and nationalistic engagement, it should be noted that his way of thinking and philosophical methodology is also worthwhile to research.
Written by Susan Shih Chang. On the government’s side, the Museum Act has become a mechanism for exercising power through specific forms of knowledge and expertise; a technology that shapes society’s thoughts and understanding toward culture. On the applicant’s side, although the local government has control in the process of applying for the registration of a private museum, intentions and understanding from the private museum owners and their interaction with the public sector have added a new dimension and layer to the meaning and means of museums.
Written By Lilian Tsay. The Japanese empire’s importance placed on the Taiwanese sugar industry can be seen in the design of the 1935 “40 years of colonial rule” exhibition, which had a whole section dedicated to the sugar industry and provided free sugar water to visitors. The sugar industry was a crucial part of the colonial economy; it also heavily impacted Japan’s dietary customs. Japan did not produce its own white sugar. Before the Meiji era, deserts in Japan were made using either dark sugar from Okinawa, wasanbon from Shikoku, or from white sugar imported from Southern China. Just as described in “Southward Expansion to Taiwan,” only with Taiwan’s help could Japan’s confectionery industry successfully develop alongside the expanding Japanese empire.
Written By Yi-Yu Lai. ince the early 1980s, the PCT (The Presbyterian Church of Taiwan) intentionally organized groups visiting several countries, including Thailand, Malaysia, Singapore, and the Philippines, because they attempted to strengthen and magnify their overseas missionary work in Southeast Asia. In the Philippines, they not only collaborated with a Taiwanese pastor Jun-Nan Li (李俊男), who started to serve in the City of Cagayan de Oro since 1978, but also made contacts with the UCCP (United Church of Christ in the Philippines). At first, those Taiwanese people were all set to introduce their preaching works to the Filipinos during their first visit of 1983. However, they serendipitously found that the Philippine Indigenous resistance experiences might become a possible alternative to address their church land issue in Taiwan.
