Language – Page 6 – Taiwan Insight

The Problem of Naming the Most Popular Non-Mandarin Language Used in Taiwan

6 December 2021 Editor

Written by Hung-yi Chien. There seems to be no problem with saying “Taiwanese” or “Taigi” in English. People know Taiwanese is the most spoken non-Mandarin language in Taiwan, and Taigi (Tai[wan] language) is how the language calls itself. However, these names give a false impression that Taiwanese is the only language that genuinely belongs to Taiwan and neglects the existence of Hakka and indigenous languages in this culturally and ethnically diverse country. Hakka activists have complained about the name Taigi for decades. They urge to use other names to call this language and reserve Taiwanese/Taigi for all languages spoken in Taiwan. The Taiwanese/Taigi fellows do not welcome this proposal because there is no agreement on how to call this language if Taiwanese/Taigi is not an option. Up until today, the name of the most spoken non-Mandarin language in Taiwan is still in dispute.

Taiwan on the eve of the International Decade of Indigenous Languages: a comparative perspective

26 November 2021 Editor

Written by Brett Todd. Amidst the upheavals of this pandemic period, few would recall that 2019 was the International Year of Indigenous Languages, and fewer still realise that the International Decade of Indigenous Languages 2022-2032 is about to commence. Both were declared by the UN General Assembly, a space in which Taiwanese voices are not heard. However, Taiwanese Indigenous representatives have participated in the UN Permanent Forum on Indigenous Issues (UNPFII), which joined UNESCO in calling for urgent action to arrest the declining use of native tongues worldwide.

Freedom Where? The Theme of ‘Escape’ in the Novels of Diasporic Taiwanese Writer Hualing Nieh

24 August 2021 Editor

Written by Fang Tang. In the early 1920s, many writers from mainland China migrated to Taiwan because of socio-political upheavals, thus began their unending diasporic ‘escape’ journey. One of these authors, Hualing Nieh, expresses the thoughts of a generation of diasporic writers, illustrating in her work with particular emphasis the theme of ‘escape.’ Born in 1925 in Wuhan, Hubei, China, Nieh experienced the Sino-Japanese War and the Chinese Civil War.

Eggplantegg: Taiyu Language Proliferation and Linguistic Diversity in Taiwan’s Popular Music Scene

2 July 2021 Editor

Written by Max Lembke-Soh. EggPlantEgg 茄子蛋 has fast become a significant player. Rocketing to popularity in 2017, EggPlantEgg received multiple Golden Melody Awards and nominations recognising their distinctly Taiwanese vibes, making full use of Taiyu’s broad intonation range to melodise lyrics across a variety of sounds. The band has no shortage of commentators lauding their style, highlighting their passionate use of Taiyu to express everything from love and yearning to relationships and loss.

Taiwanese Literature in Transition: Indigenous Writing and Eco-literature as Method

19 May 2021 Editor

Written by Ti-han Chang. At the crossroad of the 21st century, we see the rise of a new transition in Taiwanese literature. In the era of anthropogenic climate change, environmental literature or ecocriticism, which was first established in the Anglophone literature begins to sow its seeds in Taiwan in the late 80s and early 90s. Alongside this new transition, aboriginal literature in Taiwan also underwent a phase of cultural renaissance in the same period. Work published by Syaman Rapongan 夏曼藍波安, Walis Nokan瓦歷斯諾幹, and Topas Tamapima 拓拔斯塔瑪匹瑪 (田雅各) enrich and diversify the literary scene in Taiwan. The work of Rapongan, which promotes sea-writing and oceanic cultural imaginary, deserves, especially our attention.

Gay Jouissance: Queering the Representation of Same-sex Desire in 1990s Taiwan Literature

11 May 2021 Editor

Written by Yahia Zhengtang Ma. The last decade of the twentieth century was an especially interesting time in the emergence of ‘tongzhi literature’. This genre consists of literary works that ‘deal with homosexuals and homosexuality’ in Taiwan when queer cinema was introduced to Taiwan via Hong Kong. The 1990s are widely considered the golden age of tongzhi literature, animated by such widely-celebrated literary works by Ta-wei Chi, Chu T’ien-wen, Qiu Miaojin, among many others. However, existing scholarship on this has primarily emphasised the complexity of the tongzhi identity, subjectivity, and discourse around tongzhi, tongxianglian and queer in solely its original Chinese texts through the lens of cultural studies and literary studies.

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