Written by Anne Sokolsky. This article examines Taiwan no shōjo (1944), a collection of essays by Taiwanese writer Huang Fengzi, arguing that its emotional language reveals the complexities of colonial identity under Japanese rule. Through an analysis of competing voices and affective expressions, it explores how emotions, power, and cultural belonging shaped both the text and its colonial context.
Written by Ming-yeh T. Rawnsley. This article explores how food functions as a cultural language in Taiwan through three works: Eat Drink Man Woman, Zone Pro Site, and Taiwan Travelogue. It argues that food expresses family ties, community traditions, colonial encounters, and cultural hybridity, offering a compelling lens for understanding Taiwanese identity and memory.
Written by Sheng-mei Ma. This essay mobilises Cao Zhi’s seven-step poem as an allegorical lens on cross-Strait tensions, tracing how fraternal violence, de-personalised poetics, and classical Chinese cosmology illuminate Taiwan’s precarious geopolitics. Interweaving “Romance of the Three Kingdoms” and “Journey to the West”, it critiques power, survival, and moral contamination, arguing that domination ultimately inscribes both victim and victor within enduring cycles of violence.
Written by Leona Chen. This article reflects on The Boy from Clearwater, a translated graphic memoir that intertwines Tsai Kun-lin’s life with the author’s own diasporic longing. Through vivid illustrations and intergenerational memory, the graphic novel becomes a conduit for Taiwanese American readers seeking connection, historical understanding, and ancestral intimacy across language, distance, and time.
Written by Chee-Hann Wu. This article shares the rise of Taiwanese BL comics, which increasingly portray ordinary, everyday same-sex relationships without much sexuality-related conflict. These works exemplify comforting, relatable stories that reflect a society where love is simply lived.
Written by I-Yun Lee. This article is an overview that traces Taiwanese comics from Japanese colonial to post-war Taiwan, the rise of rental comics, and the severe censorship that stifled creators from the 1960s to the 1980s. Shaped by colonial importation, market demand, and state control, Taiwan’s comic history emerges as a story of negotiation and constraint.
