Written by Aleksandrs Gross. This article examines Cheng Li-wun’s leadership through the eyes of the younger generation. Not only did her statements on identity and Taiwan’s future fail to resonate with younger people, but she also failed to address livelihood issues such as high housing prices, inflation and employment pressure, which are seen as the most critical issues for younger Taiwanese.
Written by Yu-Jui (Ray) Cheng. This article discusses how the Chiayi Youth Project revitalises Taiwan’s Chiayi City by empowering young people through cultural events and innovation competitions. The project fosters local engagement, creativity and identity. With rising youth participation and a growing population, it allows a repositioning of Chiayi as a vibrant, youth-friendly city amid national demographic challenges.
Written by Lorraine Pan. This article discusses K-pop and the use of lightsticks in the Winter Bluebird Movement in Taiwan in December 2024. Taiwanese K-pop fans used lightsticks to express their political views, drawing inspiration from similar actions in South Korea. Pan argues that the movement showcased the fan community’s power and challenged negative perceptions, highlighting their active engagement in political issues.
Written by Yi-Ping Hsieh. Taiwan has seen a dramatic increase in internet and social media use among adolescents, leading to heightened concerns over online sexual violence. This article focuses on unwanted online sexual solicitation among Taiwanese youth, suggesting the need for targeted interventions and a multifaced approach to protect Taiwanese youth.
Written by Alan H. Yang. In May 2024, up to 100,000 people protested on Qingdao East Road, Taipei, against amendments to the Act Governing the Legislative Yuan’s Power, arguing these changes could expand legislative authority and undermine democracy. The protests saw significant involvement from the younger generation and led to the “Bluebird Action,” which leveraged digital technology for mobilisation.
Written by Ming-sho Ho. This article examines the commemorative events held to mark the tenth anniversary of the Sunflower Movement in March 2024. It highlights the significance of these events to reassert the core values and demands, give voice to the participants and establish the movement’s contemporary relevance.
Written by Yi-Yu Lai. In the name of promoting multiculturalism in Taiwan, the new second generation is anticipated to utilise their intercultural ability to serve as a bridge between Taiwan and Southeast Asia. This article highlights that the assumption has caused increased anxiety among the new second generation if they are unable to prove their competence. It has also erased the internal disparities and the actual daily experiences of the individuals, making the historical injustice and their own agendas invisible.
Written by Yi-Cheng Sun; translated by Yi-Yu Lai. Before starting the interview, during lunch, Rei-Tzu, the production coordinator of Flying Birds Theatre Group, told us about the “earliest university.” In English, “University” is derived from the word “universe.” In Latin, “universus” is composed of “unus” (one) and “versus” (towards a particular direction), giving it the literal meaning of “towards a specific direction.” According to our limited knowledge of history, the University of Bologna, established by students in 1088 in Italy, is the first university in Europe, earning it the title “mother of universities.” The “earliest university” topic quickly sparked our discussion about knowledge and the essence of education, with art being the primary focus.
Written by Yi-Cheng Sun; translated by Yi-Yu Lai. In 2022, at the Taipei Fine Arts Museum’s “Taipei Art Awards” exhibition, artist Shao-Gang Wang was honoured with the Excellence Award for his artwork titled “The Bird’s Still Singing.” This piece continues his collaboration with young actors that began in 2019 with the works “AppleGreen” and “DeepBlue.”
Written by Yi-Cheng Sun; translated by Yi-Yu Lai. The night following the conclusion of the 2022 National Creative Drama Competition, residents of the Ciwidiyan community (Shuilian village) learned that their representative troupe had won the Modern Shadow Puppetry Excellence Award of the Elementary School Division. The community members prepared drinks and delicacies to celebrate, eagerly awaiting the return of the students and teachers from Shuilian Elementary School. The fried chicken cutlets cooked long ago turned cold, and the elders holding congratulatory red envelopes were also a bit weary. Only when the firecrackers along the way burst into loud noises did the delight in the air, with flying paper scraps both inside and outside the houses, seem to repeatedly congratulate: “Finally, it’s here!”
Written by Yi-Cheng Sun; translated by Yi-Yu Lai. Pin-Hsuan Tseng taught art at Gongliao Junior High School in New Taipei City from 2012 to 2022. Besides being an art teacher, she is well-known for her 2017 initiative called the “Ordering Dishes to End Discrimination” movement. This gentle movement embedded in everyday life aimed to restore the proper name of “Fushan lettuce,” which is commonly referred to as “mainland girl”, with underlying discrimination against females from China. Regarding nationality and gender, Taiwanese media once used “mainland girl” to refer to Chinese prostitutes who arrived illegally in Taiwan, while the smooth appearance of Fushan lettuce was thought to correspond with this image.
Written by Andrew LaRocca. Caesar, The Planet of the Apes protagonist who incites a rebellion to usher in a new civilization, was recently drawn into the KMT’s internal debates when Taipei City councillor Hsu Chiao-hsin changed her Facebook profile picture to Caesar amidst her escalating battle with senior legislator Fei Hongtai. In the comments, netizens joked: “How many terms can upper leaders serve? How old are those seniors?” Hsu’s Caesar reference reflected a sentiment expressed by many Taiwanese youths: the KMT and its leaders are out of touch with Taiwan’s younger generations.
Taiwan Insight 