Taiwan Insight

Trouble in the Blue Camp

9 September 2019 Editor

Written by J. Michael Cole. More and more, there are signs that the mainstream KMT is trying to reassert control over its destiny. And that core KMT, as history has shown, can be ruthless. Within a matter of months, Han the savior has turned into a liability, and a bit of an embarrassment, for the party. What happens in the next weeks and months is anyone’s guess, but it is easy to conclude that Han and his supporters might not like what the blue camp has in store for them.

Indigenous Media in Transformation: Languages and Other Factors in Taiwan

5 September 2019 Editor

Written by Chia Sui, Crystal, Sun. What can indigenous media do in Taiwan? At its best it can strengthen indigenous identities by showcasing tribal heritage, helping to maintain local languages and providing a public sphere for debate about indigenous issues. Indigenous media can also convey significant meaning as an indicator of cultural and societal change.

Critical Women in Seediq Bale: A Response to Professor Chin-ju Lin Concerning Seediq Cultural Politics

4 September 2019 Editor

Critical Women in Seediq Bale: A Response to Professor Chin-ju Lin Concerning Seediq Cultural Politic. Written by Darryl Cameron Sterk. In Seediq Bale men cut these ties asunder; and though I would not expect to find the same division of labour today, my observation is that it is still tends to be women who are trying to keep things together. I relied on Temi Nawi, a former Catholic nun who devoted the last three decades of her life to Seediq education and research, for the material on weaving.

Han Kuo-yu and the Enigma of Taiwan’s Indigenous Politics

3 September 2019 Editor

Written by Scott E. Simon. In the 2018 municipal elections, when Han emerged from the side-lines to become Kaohsiung’s first KMT mayor since 1998, his support was strongest in Indigenous mountain districts. Although he won a relatively modest 53.87% of votes overall, he won 85% of eligible votes in Namasia District, 89% in Taoyuan, and 92% in Maolin. How can we explain the Indigenous zeal for Han?

What Can A Tourism Bureau Learn From A Student Protest Movement?

2 September 2019 Editor

Written by Perl Li. In light of the recent pressure China is exerting on Taiwan through tourism, I hope the Tourism Bureau will properly utilise its resources to improve its campaigns both to support the tourism economy as well as Taiwan’s international reputation.

Government Support Or Private Investment? Developing community-based tourism on Taiwan’s east coast

30 August 2019 Editor

Writen by Giulia Mengato. My research on Indigenous communities in Taiwan shows that the needs and wishes of Indigenous peoples are still considered secondary to those of government. I argue for a more nuanced approach wherein public institutions work alongside local people. Government restrictions should not suffocate community will and should not limit the agency of local people.

Anger from Indigenous Activists After Protest Against Efforts to Protect Indigenous Territories

29 August 2019 Editor

Written by Brian Hoie. Although the majority of media attention yesterday focused on demonstrations by over one thousand marriage equality advocates outside the Legislative Yuan, another demonstration involving over one thousand took place outside the Executive Yuan at the same time. This demonstration involved over one thousand members of the Taiwan Association for the Rights of Non-Aboriginal Residents in Mountain Indigenous Townshipsprotesting against the Council of Indigenous Peoples’ efforts to protect indigenous traditional territories.

Taiwan Cinema and Southeast Asian Chinese Diaspora Filmmakers: The Case of Midi Z

28 August 2019 Editor

Written by Maja Korbecka. There are yet more talented Southeast Asian Chinese diaspora filmmakers working in contemporary Taiwan cinema and bringing forth their own complex heritage, stories and new ideas to work with film art. They represent hope for revival and new directions in Taiwan cinema. Through their work they contribute to projecting the image of Taiwan as a multiethnic and multicultural state, the full potential of which is yet to be discovered.

Teresa Teng: Mandopop Icon, Soldier’s Sweetheart and Asian Diva

26 August 2019 Editor

Written by Zuzana Shejbalová. Teresa Teng, in Mandarin Deng Lijun 鄧麗君, was a Taiwanese singer and one of the ‘Five Great Asian Divas’ of the 1970s and 1980s, alongside Judy Ongg, Agnes Chan, Ou-Yang FeiFei and Yu Yar. She was born on 29 January 1953 and unfortunately died at only 42 on 8 May 1995, suffering an asthma attack while on vacation in Thailand. She remains one of the most successful singers of the Mandarin-speaking world.

Hidden women of history: Hsieh Hsüeh-hung, communist champion of Taiwanese self-determination

23 August 2019 Editor

Written by Antonia Finnane. Every so often a woman takes up arms to lead a spirited struggle against invaders and occupiers of her homeland. Such women usually wind up dead at an early age, but they capture the imagination. The Taiwanese revolutionary Hsieh Hsüeh-hung (1901-1970) is such a figure, although like most aspects of Taiwan’s history her significance is contested.

New Waves of Contemporary Art at Taiwanese Temple Festivals: The Daxidaxi Project

22 August 2019 Editor

Written by Kuan-Wen Lin.
The Daxidaxi (大溪大禧) project aims to reshape an hundred year old local festival and revistalise a small town suffering from an exodus of rural population. Leading curator Tammy Liu (劉真蓉) and her team BIAS Architects & Associates describe the village rites as mixed textures of contemporary design and religious folklore giving the town of Daxi a new definition of a traditional festival.

Cultural Intermediaries and their Roles in Taiwan’s Cultural Diplomacy and Cultural Relations

21 August 2019 Editor

Written by Chun-Ying Wei. The latest addition to Taiwan’s cultural intermediaries, the Taiwan Creative Content Agency （TCCA, 文化內容策進院）, marks another milestone in Taiwan’s cultural diplomacy. The incumbent Minister of Culture, Cheng Li-chun 鄭麗君, has proposed the idea of creating a ‘national team’ to promote Taiwan’s cultural and creative industries.

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