Written by Chee-Hann Wu. This article reflects a personal memory and classroom discussion; she explores the ethical responsibilities of artists when representing traumatic historical events. Emphasising consent, historical accuracy, and self-awareness, the piece argues that storytellers and audiences alike must engage critically with how collective trauma is portrayed and remembered in art and media.
Colonial Nostalgia and the Delegitimisation of Pro-democracy Forces in Hong Kong and Taiwan
Written by Zeng Ee Liew. The term ‘colonial nostalgia’, or 戀殖 (lian zhi), has appeared more and more since the 2000s in the discourse used by Mainland China to describe the politicians or activists who advocate for democracy or even independence in both Taiwan and Hong Kong. Very often, those democracy or independence activists will be described as ‘traitors’ who still harbour lingering love or affection and pander to the former Western or Japanese colonial power and fail to show full patriotic love to the motherland. The use of such discourse can be seen from the lens of a broader effort by the Chinese government to delegitimise those pro-democracy activists, which will be explored further in this article.
