When 50 Steps is Further than Taipei: Indigenous Contemporary Art and Temporal Orientation

Written by DJ Hatfield. Over the past ten years, images of Indigenous people have increased both in Taiwan and international representation. Indigenous people appear in depictions of Taiwan’s relationships to Southeast Asia and the Pacific, in promotions of Taiwan as a tourist destination, in discourses of sustainability, and images of environmental protest. In relationship to these representations of Indigenous people, Taiwanese Indigenous contemporary artists maintain an ambivalent footing, aware that current indigenous visibility rearticulates Taipei (here referring broadly to settler power) rather than displacing it.

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Continuities’ Strategy through Poetry’s Writing, Translation and Editing of the Translingual Poet Ch’en Ch’ien-wu 陳千武 (1922-2012)

Written by Sandrine Marchand. In Taiwan, 1945 marks the end of the Japanese colonisation. For many Taiwanese intellectuals and writers, it also means the abandonment of the Japanese language for Mandarin. But a language cannot be erased as quickly as architecture or other material goods. The language of childhood – the language of education – stubbornly persists. After this initial silent period, in the 1970’s – thanks to the Nativist movement – there has been a revaluation of pre-war Taiwanese writers gathered under the appellation of “a translingual generation” as they emerged from the shadows.

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Victims without Perpetrators: Slovakia’s and Taiwan’s Lack of Retributive Justice

Written by Dominika Remžová. Despite the recent 228 Incident commemoration, along with the latest exonerations of White Terror political victims, the lack of retributive justice from criminal trials or other perpetrator-focused measures remains the case in Taiwan. In fact, the legality of the only perpetrator-focused act related to the KMT’s party assets has been continually contested by the party, despite the ruling of the Council of Grand Justices that upheld the constitutionality of the act’s provisions. A similar lack of retributive justice occurred in another country with a recent authoritarian past, Slovakia

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Xi Jinping’s 2.0 version of the “Letter to Compatriots in Taiwan”

Written by Simona A. Grano & Helena Y.W. Wu. On January 2, 2019, Xi Jinping held a speech to commemorate the famous “Letter to Compatriots in Taiwan” of 1979. In this letter, he defined unification across the Taiwan Strait as “the great trend of history.” He also warned that attempts to facilitate Taiwan’s independence would be met by force. Not only this, but he also called for “unification under the ‘one country, two systems’ formula.”

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Migrants’ Voice in Taiwanese Documentaries: Narrative, Language and Space

Written by Adina Zemanek and Lara Momesso. Since the early 2000s, immigrants from mainland China and Southeast Asia have been an increasingly visible component of Taiwan’s social and public landscape. As such, they have received growing recognition both in terms of legal provisions and in the public discourse. An example of this acknowledgement is the December 2019 issue of Taiwan Panorama, a promotional magazine issued by the Ministry of Foreign Affairs. Half of this issue is dedicated to highlighting migrants’ presence in Taiwan. One of the articles calls for listening to their unique life stories, which would have the transformative effect of understanding the world from a new perspective and dismantling preconceptions about Southeast Asian cultures.

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Explaining Cross-Strait Relations with Theories of European Integration

Written by Frédéric Krumbein. The European Union has the densest integration region globally, whereas current trends in cross-strait relations point to a further divide between both sides. Despite noticeable significant differences between the European Union and cross-strait relations, theories of European integration provide a useful framework to analyse the past, present, and future of relations between Taiwan and the Chinese mainland. Four major theories of regional integration that were developed for or applied to the European integration process will be used to analyse cross-strait relations: neofunctionalism, historical institutionalism, liberal intergovernmentalism, and postfunctionalism.

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‘Bringing Back Transnational Relations’: Non-State Actors in Taiwan’s New Southbound Policy

Written by Ratih Kabinawa. Drawing from Risse-Kappen’s seminal book and his framework of domestic and international structures, this article explains Taiwan’s long-standing engagement with non-state actors in promoting its foreign policy objectives in Southeast Asia via a case study of the New Southbound Policy (NSP). After enjoying some success in maintaining semi-official contacts with Southeast Asian countries during the cross-Strait relation détente, the election of Tsai Ing-wen compelled Taiwan to bring transnational relations back into its foreign policy. In 2016, Taiwan’s newly elected president, Tsai Ing-wen, introduced a foreign policy flagship that stressed the essential role of people-to-people diplomacy in promoting Taiwan’s foreign policy objectives in Southeast Asia.

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Energy Transition in-the-Making: How Offshore Wind Energy Interacts with Local Society in Taiwan

Written by Tsaiying Lu. “Go Nuclear to go green.” Under this catchphrase, during Taiwan’s 2018 referendum, pro-nuclear activists have successfully framed green energy as “unstable” and “unmatured” electricity-generating technology. They proposed to abolish Section 1 of Article 95 of the Electricity Act, which states terminating all nuclear power plants by 2025, was passed with a 40.27% approval. The result is a significant setback not only to President Tsai Ing-Wen’s (2016-2024) energy policy, “Nuclear-Free Homeland by 2025,” but also to offshore wind energy’s (OWE) development.

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Changing Circumstances Call for Taipei to Lift Its Effort in Promoting Democracy on China and beyond

Written by Chen Jie (陈杰). There are remaining concerns urging the government of democratised Taiwan to support democratic causes and human rights in China. In fact, for the Tsai Ing-wen administration, these issues have strengthened. Despite their disdain for the one China project, politicians of the Democratic Progressive Party (DPP) share the sentiment that Taiwan’s own democratisation inspires China. This is echoed internationally. The former US Vice President Mike Pence spoke positively about Taiwan’s “embrace of democracy” and the example it had set for “all the Chinese people.”

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On the Many Reasons People Study Endangered Languages

Written by P. Kerim Friedman. We often assume that all language learning serves the same purpose: communicating with native speakers of the target language. The truth is that this is not always the case. There are many other reasons people might decide to learn a language: It might be a requirement for school, work, or citizenship. A philosopher might want to read German, and a linguist might only desire to learn enough Japanese to analyse the language’s grammatical or phonetic structure. Many people worldwide learn Hebrew, Latin, or Arabic as part of their religious training and only use those languages in that limited context.

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A Taiwanese Soft Power?

Written by Nissim Otmazgin. Now that Taiwan has largely shed its Cold War KMT image and has gone through a democratisation process, it can project itself as a peaceful, prosperous, and above all, democratic country that might be a good ally for pro-democracy forces across the region? Given its regional setting in Northeast Asia, how does Taiwan tap into surrounding soft power competition and promote an international agenda? 

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Transition and Transformation: The Naming Dilemma in Today’s Taiwan Cinema

Written by Yiling Pan. What is the Taiwanese identity in today’s Taiwan Cinema? In 2008, Taiwan’s Cinema began to get back on its feet after an extended lull, with several new directors successively releasing critically acclaimed first works, such as Chung Mong-hong’s Parking, Tom Lin Shu-yu’s Winds of September and Gilles Yang’s Orz Boyz!. However, it took Wei Te-sheng’s debut, Cape No. 7, to become a box-office hit and arouse widespread interest in Taiwanese film. .

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