Vietnam Kinmen Association (Fuji Temple): A Symbol of Taiwan’s Soft Diplomacy in Saigon before 1975

Written by Meiyuan Kou. This article traces the history of the Kinmen Association (Fuji Temple) in Saigon-Cholon, established in the early 1970s as both a religious hub for Kinmen migrants and a channel of Taiwan’s soft diplomacy in South Vietnam. It examines how this small community institution fostered transnational ties, cultural continuity, and identity preservation across shifting political landscapes before and after 1975.

Revisiting Research: Indigenous Peoples as Non-State Diplomatic Actors in the Public/Cultural Diplomacy of Taiwan 

Written by Dr Carla Figueira. This article reflects on the 2024 IJTS Open Access Award-winning paper, “Indigenous Peoples as Non-State Diplomatic Actors in the Public/Cultural Diplomacy of Taiwan: A Case Study of Dispossessions: Performative Encounter(s) of Taiwanese Indigenous Contemporary Art.” It highlights the value of engaging with the personal and social contexts shaping research outputs. It celebrates the growing academic focus on Indigenous Peoples and cultural diplomacy, foregrounding Taiwan’s unique position.

Staging and Restaging Taiwan at the Centre Pompidou: Taiwanese Art on Display 2020 to Present

Written by Gabriela-Alexandra Banica. In the third decade of the 21st century, Taiwanese artists and exhibitions have appeared at the Centre Pompidou in Paris and Metz, and this could serve as a compelling case study of Taiwan’s pursuit of international recognition through arts. Through this exploration, this article aims to address the gaps in the current scholarship related to curatorial practices concerning art from contested territories while enriching the field of France-Taiwan curatorial practices. By analysing the current subject of interest, it is hoped that art from more disputed territories can be made accessible to audiences in France, Europe, and around the globe.

Taiwan with a Side of New Public Diplomacy

Written by Martin Mandl. At about the same time as Bubble Tea made its first appearance in Vienna, President Ma Ying-jeou proclaimed “taking Taiwan’s food to the world a policy priority”. What followed was an economic stimulus plan, sometimes referred to by commentators as “All in Good Taste – Savour the Flavours of Taiwan”.

Cultural Intermediaries and their Roles in Taiwan’s Cultural Diplomacy and Cultural Relations

Written by Chun-Ying Wei. The latest addition to Taiwan’s cultural intermediaries, the Taiwan Creative Content Agency (TCCA, 文化內容策進院), marks another milestone in Taiwan’s cultural diplomacy. The incumbent Minister of Culture, Cheng Li-chun 鄭麗君, has proposed the idea of creating a ‘national team’ to promote Taiwan’s cultural and creative industries.

The Youth Ambassadors and Taiwan’s Performative Cultural Diplomacy: “Some of the dancing, yeah, I don’t really understand [it]”

Written by Jess Marinaccio. Attention to cultural representation is critical to creating a more equitable Taiwan, especially given Taiwan’s settler-colony status. However, problems of cultural (mis)representation focus the Taiwan’s Youth Ambassadors project on the domestic sphere, suggesting that culture is an ineffective tool in Taiwan’s foreign affairs.