Written by Chee-Hann Wu. This article reflects a personal memory and classroom discussion; she explores the ethical responsibilities of artists when representing traumatic historical events. Emphasising consent, historical accuracy, and self-awareness, the piece argues that storytellers and audiences alike must engage critically with how collective trauma is portrayed and remembered in art and media.
Australia’s Perspective on the Applications from the UK, China, and Taiwan to Join the CPTPP
Written by Richard Pomfret. The Comprehensive and Progressive Agreement for Trans-Pacific Partnership (CPTPP) evolution has been a combustible mixture. On the one hand, the CPTPP, as an international trade agreement that goes beyond WTO commitments, involved lengthy negotiations before consensus on the text could be reached and the CPTPP could be implemented. On the other hand, the CPTPP, as an instrument of domestic politics and of international relations, has been subject to dramatic coups de théâtre. The USA signed the Trans-Pacific Partnership after eight years of negotiations, but President Trump refused to ratify the agreement three days after taking office in January 2017. Both elements – careful negotiation of a legal text and grand political gesture – are visible in Australia’s approach to the CPTPP.
