Written by Chee-Hann Wu. This article reflects a personal memory and classroom discussion; she explores the ethical responsibilities of artists when representing traumatic historical events. Emphasising consent, historical accuracy, and self-awareness, the piece argues that storytellers and audiences alike must engage critically with how collective trauma is portrayed and remembered in art and media.
Saving an Ageing Industry by Employing Migrant Workers: The Legalisation of Agricultural Migrant Workers in Taiwan
Although 2022 may be seen as the continuation of the Covid-19 pandemic worldwide, it has also marked the third year after Taiwan opened its agricultural labour market to Southeast Asian workers. It is widely known in Taiwan that small tenant farmers in the vegetable, fruit, and tea sectors and livestock farmers have been challenged by chronic shortages of seasonal labour.
