Written by Tang Meng Kit. Taiwan’s railway heritage, originating from its Japanese colonial past, has transformed into a vibrant symbol of soft power. Through thoughtfully curated museums, cultural events, and international collaborations, particularly with Japan, Taiwan weaves history and innovation into a compelling narrative. This approach not only nurtures cultural exchange and tourism but also reinforces Taiwan’s resilience and evolving national identity on the global stage.
Writing History Within/Outside of Taiwan: A Postcolonial Perspective on Shawna Yang Ryan’s Green Island (2016) and Wu Ming-yi’s The Stolen Bicycle (2015) – Part 2
Written by Ti-Han Chang. Many more can be said on the comparative study of these two novels, yet what is important here is to highlight what sort of future prospect that one can further expect from the development of Taiwanese postcolonial literature as well as its significance in “worlding” Taiwanese literature as a whole. An emerging feature that may potentially be established into a kind of “new traditions” for Taiwanese postcolonial literature is the sparks that come out from its cross-disciplinary reference to environmental literature.
